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Visionary

In a special biodiversity issue, The Kyoto Journal published my short essay called “Inviting Totoro to Tokyo.” The article celebrates Miyazaki Hayao’s (宮崎 駿) wonderful illustrated book “The Place Where Totoro Lives.” In illustrations, words and photos, Miyazaki portrays Tokyo residential districts village-like atmosphere and potential for wildness and mystery. Miyazaki imagines a city that can welcome Totoro by showing rare wood houses, the stories of their occupants, contemporary streetscapes, and how they can be transformed by creating an urban forest.

The Nezu Museum and its gorgeous Japanese garden are a just short walk from the Nishi Azabu Juban wildness, the Kakuremino bar, and lush sidewalk garden. Many people come to the newly rebuilt Nezu Museum for its exquisite collection of pre-modern art, or the new building designed by Kuma Kengo. I am a huge fan of its garden that combines tea houses and paths in a setting that seems ancient, slightly overgrown, bigger than its footprint, and entirely removed from city life.

When I visited recently, just before closing time towards the end of a long, hot summer, I was enchanted by how the light struck this worn boat, the plants growing in its bow, and the illusion of minimal human habitation in an endless jungle. I was also surprised to see Japanese maple leaves already turning red, despite the temperature being above 32 celcius (90 fahrenheit) for many weeks.

Taken together, these four posts about Nishi Azabu Juban speak to the wide range of nature in the city: professional and amateur gardens, single plants and total environments, built and wild, public and gated, destinations and everyday experiences. Plants grow wild even in the densest cities, but how we choose to nurture them provides endlessly varied results. I am inspired by the full range of possibilities.

I am reading Lyanda Lynn Haugpt’s Crow Planet, a book about closely observing city crows that offer many insights on urban wildness. Haugpt is part of an urban ecology movement that I identify with. If  city dwelling is a given for us– as it is for more than half the world’s population–how can we explore and expand our knowledge of nature from inside the city? I suspect that city birdwatching, like city gardening, connects us both with nature and with each other.

I also enjoyed Marie Winn’s Central Park in the Dark, which explores bird life in New York’s incomparable Central Park. Haughpt’s work goes a step further, by suggesting that we start at our kitchen table, looking out the window with binoculars, and exploring nature on our roofs, outside our doors, and in our immediate vicinity.

I like that Haughpt, a serious birder and wildlife researcher, has chosen the most humble of city birds, and made their stories integral to how we are now changing our views of city life and the relationship between humans and nature. I like her focus on the close observations of the everyday, and admire her narrative power to evoke history, myth, and natural science while reconsidering what city life is and can be.

I am already feeling sad to be close to the end of this inspiring book. Although Tokyo Green Space focuses more on city plants than animals, habitat rather than wildlife, I feel a kinship in her reinterpretation of the familiar and ordinary.

This is one of the blessings of the urban nature project: without the overtly magnficient to stop us in our tracks, we must seek out the more subversively magnificent. Our sense of what constitutes wildness is expanded, and our sense of wonder along with it. (pp 157-8)

Has anyone else read this book? I highly recommend it.

Chris has taken images from last month’s Tokyo DIY Gardening workshop at 3331 Arts Chiyoda, and created an amazing interactive map of Tokyo green space.

Using photos, pens, markers, origami, and other stuff, 30 participants drew a giant collaborative map of Tokyo’s existing and imagined green spaces. In this interactive version, Chris shows off the final map, which was two by four meters, with detailed images of 46 spaces.

Beyond our initial ideas, the collaborative map produced a huge  variety of green spaces at many different scales, all of which make or could make Tokyo a livable city. We are planning to further document this mapping workshop, including other layers and voices, and we’d like to share it with a wide audience. Please feel free to link to it, leave comments, and share with others.

I took a short break from the Epic 2010 ethnography in industry conference to see the Mori Art Museum’s Sensing Nature exhibit. Friends had told me about it, so I had high expectations. The exhibit is very conceptual and sensory at the same time, unfolding in a series of large installations that are familiar and strangely new views of our relationship with nature. It continues until November 7 at the top of Roppongi Hills.

It is a strange experience to go from the 62nd floor observatory, with 360 degree views of Tokyo and beyond, into these enormous and enclosed gallery spaces created by three mid-career Japanese artists: Yoshioka Tokujin, Shinoda Taro, and Kuribayashi Takashi. There are feathers, wind, water, forests, mud, mountains, and glass.

I was also struck that in almost all these the imaginative “new worlds,” it is impossible to experience the artists’ dreams without also being hyper-aware of our own presence within them. It is interesting to watch the reactions of other visitors, and to even catch unexpected images of ourselves. I highly recommend visiting the exhibit.

This image of goats controlling the weeds at a San Francisco bus yard is whimsical and inspiring. Why doesn’t Tokyo (and other big cities) use these natural weed-eaters? The company behind this is called City Grazing, and their slogan: “Our herd of goats are organically fed, will eat your weeds and entertain your children!”

In today’s sweltering heat, my Tokyo DIY Gardening co-instigator Chris Berthelsen and 3331 Arts Chiyoda‘s Emma Ota documented the giant green city map created in the art center workshop two weeks ago.

It’s always inspiring to work with Chris, who is full of creative ideas and the energy to realize them. He’s already shared one small portion of the presentation: a model of the personal impact of urban green space. We will be sharing various slices of the green map once we’ve sorted out the images.

The map itself is two meters by four meters, and made of standard A4 papers taped together. The thirty participants included a school child, musicians, ceramicists, textile buyer, real estate developer, architect, arts administrator, senior citizens, and some random people who were walking by.

They used a mix of images we provided, plus blue string, markers, pens and things they brought, to create collages of urban green spaces that they knew or wanted. They also wrote down project ideas on small forms embedded in the map. Here’s images from the workshop.

Chris and I are eager to share these images and stories with you soon. Here’s some photos on the 3331 Arts Chiyoda website.

A friend told me to check out this green “bus stop” between Kabukicho and Hanazono Shrine. This incredible vine providing shade for the sidewalk is no longer a bus stop, but is in front of Shinjuku’s ward office. As I’ve written before, the wards seem to be leading Tokyo Metropolitan Government and the national government in creating innovative green spaces on their properties.

What’s great about this sidewalk awning is that it requires minimal space and maintenance, yet impacts thousands of people coming to the ward office, or just passing by on this busy street. Two very kind city workers involved with green space took time out to talk with me about the sidewalk, facade, and roof greening.

The sidewalk awning is a combination of two hardy vines: nozenzakura (ノウゼンカズラ in Japanese or Campsis grandiflora in Latin) with orange flowers, which I have seen in my neighborhood blooming all summer.

The other vine is akebi (アケビ, also called Akebia in English), which flowers and fruits. Wikipedia says that it is frequently mentioned in Japanese literature and evokes images of pastoral landscapes; it’s also considered an invasive in New Zealand and parts of the United States. Here in the heart of Shinjuku, it’s a very attractive shade plant with the added bonus of having distinct seasons.

It was nice to see that parts of the facade have vertical plantings, although a simple full facade retrofit would modernize and make more attractive the 1960s building.

The city workers also showed off the roof garden, which has different areas including edibles, herbs, and water plants. It was sad that most of the usage seems to be a place for smokers to congregate. I wonder how they can make the space more attractive for non-smoking workers and neighbors.

It would be cool to see a complete redesign of the entire usable surface of the ward office to eliminate the dead space. Too much of the facade is monotonous concrete with minimal pattern, and too much of the plaza in front and along the side is hard surfaces. A redesign could capture the imagination of residents, retailers, and office owners.

Leaving a meeting recently, I walked through some back streets of Aoyama, and came across this amazing sidewalk garden. The contrast between the potted plant garden and the slick glass building was intriguing. The aesthetics, density and plant selection made me realize quickly that this was not an amateur garden.

Inside this amazing vertical forest is Kaza Hana, a florist, garden design company, cafe and bar. The exterior merits further study for its vertical garden construction, its mix of Japanese garden plants and exotics, and masterful mix of color, texture, and form.

Completely enchanted, I decided to relax and enjoy lunch there as well. Inside, the jungle immersion theme continues, with plants everywhere, hanging sculptures, and a flower shop along one wall. I was fortunate to have a long chat with a flower instructor, Yoshida Miho, who later sent me her blog full of wonderful flower photos and a description of her work with plant therapy and “natural life design.”

Yoshida-san explained that Kaza Hana’s owner is a garden designer named Ishihara Kazuyuki (石原和幸). Ishihara-san has won three consecutive gold medals at the world famous Chelsea Flower Show. This fall he will also be showing his work at the 2010 Gardening World Cup this October in Nagasaki; you can see his profile and portfolio on their site. I believe Ishihara-san started as an ikebana designer.

Below are two more images from the shop, and also the intriguing sidewalk garden Ishihara-san designed for the hair salon across the street. I hope to meet Ishihara-san and learn more about Yoshida-san’s work, too.

Recently I had the pleasure of attending my second bonsai-making class with Kobayashi Kenji sensei at Sinajina. While last fall’s class focused on black pine, this time we made a miniature landscape with three gangly deciduous shrubs (Nanking nanakama) and a small flowering astilbe (tannachidakesashi). At the base, we added moss and gravel.

I like how this small combination includes different heights and forms, flowers, and leaves that turn color and drop in the fall. It should be fun to take care of it in different seasons. In addition to TEDxSeeds organizers, the class also included three sisters from Tochigi who come to five classes every year. They clearly were more advanced than us beginners!

I highly encourage anyone to take a class at Sinajina. They are offered several times per month. For basically the cost of the plant (about US $70 or 6,500 yen), you not only leave with a bonsai you have made yourself, but you also learn from Kobayashi sensei about the plants, how to arrange them, and his passion about how people and plants can live together. For now, classes are in Japanese, but recently Kobayashi sensei hired a bilingual American and may soon offer classes in English.

People often complain that there space is too limited to have a garden. This amazing single family residence in Sendaji has a tiny front yard between the house and wall that separates it from the street. Yet they have managed to create an amazing mini-forest garden of nicely pruned trees. Some are in the ground floor soil, and others in pots on the three levels of balconies and roof. There are dozens of trees, including evergreen and deciduous. On our visit, the pines and azaleas were especially beautiful.

I imagine this garden has been growing for at least ten or twenty years to reach this amazing fullness. So many people think that all they can plant are simple flower boxes, when vertical solutions can be so much more lush and interesting. This residential garden, discovered while visiting the famous restored Yasuda house across the street, is very inspiring.

On the trip to Nasu in Tochigi two weekends ago, we visited a unique mountain cow dairy called Shinrin no bokujo (森林の牧場) that produces delicious milk and ice cream while addressing a crisis in Japanese forestry. The recycling company Amita created this dairy and another in Tango, northern Kyoto on the Japan Sea, as an ecological experiment.

With the collapse of Japan’s timber industry, many mountains are covered with single species trees that have not been maintained and are now dying. The mountain dairy idea is to allow the cows to maintain and improve the forests. The concept ties dairy farming with healthy food production, watershed conservation, and rice farming.

The milk is currently sold at Isetan department store Queen Isetan grocery stores, as well as onsite. Lots of families came with young children to see this unique dairy. The milk was extremely rich and delicious, with a hard cream top, packaged in a glass bottle with attractive graphics.

One of the TEDxSeeds members will be starting work there, and we met the farm manager, who is a graduate of Tokyo University of Agriculture. It was exciting to see this ecological experiment run as a business. The Japanese president of Qualcomm is also interested in new farming techniques that address food quality and ecological revitalization. Since rural abandonment has become a major national issue, these experiments are very timely and needed.

Visiting the cows was fun. They were extremely friendly. They allowed some heavy petting, and in return offered a very slobbery welcome. I had no idea their mouths are so full of saliva! Some of the young calves are lent out as natural lawn mowers, much as goats are now providing fossil fuel free mowing and complementary fertilizer in Silicon Valley. The grown cows are too heavy to transport easily.

The buildings on site, both for visitors and for milking, are simple and very attractive.

Rebar, an art and urban planning project in San Francisco, has just unveiled their first prototype of a street-side “walklet.” Rebar became famous for converting parking spots one day every year into inventive urban parks. The event grew, and drew more and more people around the world who changed the streetscape for one day. Now, Rebar is putting in semi-permanent “walklets” with benches, tables, bike parking, and planters on top of parking spaces. The project has been OK’d for six months, and can be continued if well received.

This is genius!

To quote from Rebar’s site:

Inspired by Rebar’s PARK(ing) Day and other efforts to convert parking spaces into people places, cities around the United States are transforming excess roadway into public plazas, pocket parks and experimental sites for new forms of urban infrastructure.

To help support this growing trend, Rebar has created “Walklet”—a modular, flexible sidewalk extension system designed to create new public spaces for people by extending the pedestrian realm into the parking lane.

The installation at 22nd and Bartlett in San Francisco is part of a pilot project supported by the City. The collection of benches, planters, bike parking, and tables, sheathed in stained bamboo and red wood, will be in place for six months, and if it’s well-received, could remain in place indefinitely.

The prototype has been arranged to suit the needs of that neighborhood’s site, but Walklet are incredibly adaptable. Each three-foot wide Walklet module provides a single, specific program that can be mixed and matched with other Walklet modules to create the right design combination for each unique site. Walklet extends the sidewalk surface into the street but provides much more than just a place to walk—it creates an adjustable, flexible, full-scale laboratory for developing and refining the perfect combination of user programs.

Like Flora Grubb Gardens, I, too, wonder what will they plant?!

Update: Here are photos of the planting.

I am amazed by this illustration of how to squeeze a mini-creek into a San Francisco sidewalk (from the wonderful Streetsblog). Faced with an aging sewage infrastructure at risk of failure, San Francisco’s water utility is experimenting with bold, low-impact designs, including green roofs, daylighted creeks, rain barrels, and permeable pavement.

The obstacles to this change are enormous. For decades, urban water management has meant removing green space and channeling water into treatment plants. But if successful, mini-creeks and urban watersheds can significantly reduce sewage discharge to the city’s bay and rivers, with estimates ranging from 28% reduction to 91% reduction in water pollution.

In addition to the functional benefits of reduced pollution, mini-creeks will add beauty to what are now life-less streets, and attract wildlife and nature. Restoring creeks will provide a greater connection to the natural environment and urban history.

UPDATE: I posted a revised article, “Sensing Four Seasons at a Tokyo Office Building,” on Huffington Post on July 30, 2010.

Some friends and I visited Pasona’s new office last week. They are a large Japanese staffing farm that had a highly publicized basement farm in their old Otemachi headquarters. This year they moved nearby to Yaesu in their own newly built, nine story headquarters between Tokyo Station and Nihonbashi. Pasona has unveiled a much more elaborately landscaped interior and exterior.

The image above is my favorite because it highlights the interface between the futuristic farm, dependent on a variety of grow lights including LEDs, and the urban environment outside. I am certain that the indoor vegetables will give them the most attention again, but actually I believe the exterior landscaping is more inspiring and impactful.

Below is a brief tour of interior and exterior. After the photo tour, I will suggest some metrics for judging the success of this very visible corporate monument to urban nature.

Glowing all the way across the wide downtown street even in daylight, a spectacular rice paddy with dozens of strong lights occupies the main lobby entrance of the building. The entrance doors are flanked on the outside by beautiful apple trees in giant rusted steel planters.

Almost the entire first floor of the building is devoted to the spectacle of vegetables planting, growing, and ripening under powerful grow lights: rice, tomatoes, melons, corn, eggplants, herbs, and lettuce. A large cafe features wood posts hung at angles and supporting canvas bags with soil and corn. One wall has a series of metal cases with purple lights and tiny fans that have a very “next century” feel.

There is also a room with racks and racks of lettuce, and a field of giant sunflowers. And everywhere vegetables and seedlings are arranged in attractive vignettes. Elsewhere, tomatos hang from the cut-outs in the ceiling. (Click to enlarge the photos below).

What I think works are the following:

  • Pasona demonstrates its commitment to bringing nature into the city by devoting so much valuable space and employing great landscapers and designers.
  • Pasona packages its vision in a combination of high design and new technology that is visually stunning, unique and in many ways hopeful.
  • It is interesting how the cafe and second story meeting spaces are divided and enhanced by greenery. The constant changing as plants plants grow and get replaced, and juxtaposing informal meeting spaces with living plants is a welcome change from most office interiors.

But I also have to point out where the vision falls short.

  • It largely fails as a public gathering place. The giant lobby rice paddy is at once open free to the public and oddly devoid of people, except for a few curious first time visitors. The strange color, strong heat, and loud sound of the lights seems to repel people. In fact, the employees use a side entrance, and bypass the lobby. There is no sense that employees or neighbors will use most of this space, except for suited young people using the cafe and second floor meeting rooms.
  • The intensity of the lighting and sheer quantity beg the question of energy expenditure. Pasona must address how sustainable this idea of indoor agriculture is, and whether they see energy production or usage changing in the future of urban farming.
  • There is no sense of season or natural habitat. It is understandable that birds and wildlife are not permitted inside, but their absence makes the interior seem sterile. Why is the corn ripening in May?

While the indoor farm will generate the most attention for Pasona, I think that the exterior landscaping is more impressive and ultimately more interesting for urban habitat creation and the integration of nature with work space. Two thirds of the building front and at least one side have been carefully planted on handsome screened balconies to produce four seasons of color. Included are citrus trees, wisteria vines, Japanese maple, blueberries, and flowering vines like clematis.  Although the plants are small now, it is easy to imagine the exterior becoming a unique vertical forest and colorful garden over the next years.

The exterior vertical landscaping has 200 species of plants, and many trees that lose their leaves in the winter. The idea is that the plant mass will reduce carbon emissions, summer shade will keep the building cooler, and winter bare branches will allow more direct light during the cold season. While the public is not invited to the upper floors, it appears that the exterior plants are all on balconies that are either accessible or viewable from inside the offices. Click below to see posters that explain the exterior landscape and the designers who worked on this project, and how the exterior garden appears from the sidewalk below.

I am looking forward to watching the exterior of the building grow into its potential. And I am eager to hear how the office workers feel about the outdoor plants that are so close to their interior work spaces.

I’ll end this post with a dandelion weed I spotted on the edge of the rice field. It is this type of unplanned feature that makes natural landscapes so enchanting.

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