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もう一つ、植物の室内撮影。去年作った変わった盆栽は紅葉で色づいています。今、深紅の枝が三つ残っています。部屋のなか以外に置く時は、台所の窓の近くに置きます。

More indoor plant portrait photography.

I made this strange bonsai last summer with a small bi-colored grass, tall leafy tree, and gravel. It’s fun to watch the leaves turn deep red and fall. When it’s not inside, this plant is close to the kitchen window.

冬の日光は、室内で植物を撮影するのにいいと思います。

ベランダの庭には、植木鉢が多いです。ですから、室内に持って来るのが簡単です。一つの植物はお客さんを接待するときに使えますし、気分を変えてくれます。盆栽は一番持ち運びがよくて、いくつかの要素が小さな世界を作ってくれます。

The winter sunlight is particularly good for indoor plant portrait photography.

Bonsais are the ultimate in portable and creating an entire, changing world with few elements. Part of gardening involves the overall effect of dozens or hundreds of plants. But part is also the specific plant and season.

As a balcony gardener using containers, I have many small plants that are especially portable. A single indoor plant can welcome a guest or create a mood.

この写真は史火陶芸教室の展示会です。盆栽植木鉢と普通の植木鉢と壁用の花瓶を発表しました。黒粘土と赤粘土の上にかけた白い釉薬が好きです。自然で中間色だからです。来年、もっとエアプラントを入れた小さな植木鉢を作りたいです。

These photos are from the Shiho ceramic show last month. I exhibited bonsai pots, regular pots, and wall vases. I like white glaze on black and red clay because it seems earthy and neutral. Next year I want to make more bonsai pots, and use them with air plants.

エアプラントと盆栽の陶芸の組み合わせ はどうでしょう? 史火陶芸教室の展示会のために、いろいろ盆栽用の陶芸を準備しました。不思議な組み合わせですけど、エアプラントの形と遠い起源を考えると楽しいです。さらに取り出しやすいので、鉢をよく見ることができます。

Preparing for the Shiho student show last month, I wondered how to show off the bonsai pots I made this year. I tried one with only gravel, and another with a tiny succulent. My favorite is perhaps the oddest combination: air plants. I like their shapes and their distant origins in a different climate. And I like how you can easily take them out and examine the pot. What do you think about this combination?

ザクロも東京で育つことができます。もともと中央アジアのペルシアから来て、地中海地方で人気です。酸っぱくて柔らかいの種が美味しいです。東京では、だれもこの木の果物を食べないから、鳥はうれしいだろう。たまに小さなザクロを盆栽に使っています。

Native to Persia (what is now Iran), pomegranates remind me of the Mediterranean. I was surprised to see a neighbor’s pomegranate tree full of fruit. I guess the neighbor is not eating them, since they are bursting open. The birds are probably happy to eat the delicious seeds, and then distribute them as they travel.

Last year I also took photos of neighborhood fruit trees, including a miniature pomegranate. There are special varieties used in bonsai making.

今日は史火陶芸教室の展示会の準備をします。どんな植物がいろいろな植木鉢と似合うだろう。着生植物や季節の花と紫キャベツを使おうと思っています。土曜日から展覧会が始まります。写真は、最後の植木鉢の釉がけ前のです。

Today I am potting up plants and getting my flowerpots ready for the Shiho student ceramic show. Above are the last two larger flower pots. When I go to the studio today, I’ll see how they look after being glazed and baked.

The one with the holes can be used with a candle, or you can place a plant inside that you’ve bought at the nursery in its original plastic pot. I like that it’s lighter weight, transparent, and easy to swap plants in and out.

I am also showing small pots and smaller bonsai pots. I have an idea for untraditional bonsai plantings, including air plants that can be removed so you can see the whole ceramic pot. For the larger pots, I’ll try to mix seasonal flowers, purple leafed cabbage, and some of the plants Matthew left in the back garden.

The show starts this Saturday and runs for five days. I’ll be at the gallery on Saturday from  3ish to 7, on Sunday from 5 to 7, and sometime next week depending on my work schedule.

みんなは小さいなベランダに100種類 以上の植物があると聞いて、驚いています。このクローズアップの中に、盆栽が三個、多肉植物が二個、それからミントもあります。スペースが小さいけれど、可能性は大きいです。

People are surprised when I tell them that I have at least one hundred plants on my small Tokyo balcony. It sounds like a lot, but actually it’s easy to accumulate. Even a small garden can have many layers. I was aiming my camera at the fairly large bonsai in the center, made by my friend Matthew. It has two types of grasses, two types of mosses, and a fern. Some neighboring mint is stretching above that singularly planned assemblage. And at the bottom left are two small succulents in a flowerpot with drawings from my mother-in/out-law. There’s also a trunk and leaf from two neighboring bonsais. That’s at least ten plants in this one close-up.

ポートランドの日本庭園で、「都市グリーン」というプログラムに参加します。5月26日、私は「東日本大地震後の東京グリーン・スペース」の発表をします。24日は、品品の小林先生が盆栽ワークショップを教えます。26日は、小林先生の盆栽の展覧会が催されます。

I am very excited to travel to the Portland Japanese Garden next week as part of their Urban Green program. My good friend Kobyashi Kenji, of Tokyo’s Sinajina, will be leading a bonsai-making workshop on May 24, and opening his bonsai exhibit on the 26th. As part of the opening, I will give a talk on Greening Tokyo after Tohoku.

It’s a great honor to participate in the excellent cultural programming at the Portland Japanese Garden, and to explore connections between two global cities whose residents are reinventing urban life for the 21st century. If you know anyone in Portland, please let them know about these events! Thank you.

史火の教室で盆栽用の植木鉢を作っています。

In the aftermath of the tsunami and nuclear crisis, it seems many have retreated into their homes and offices. Now more than ever is the time to go outside, interact with neighbors, and support your local small businesses in Tokyo: restaurants, vegetable shops, artisans, and creative studios.

I started making a series of bonsai pots at the ceramic studio Shiho. Here’s the basic process:

Step 1: Create shapes. Form clay into a block, slice off slabs, place slabs around molds covered in cheese cloth, remove, and let sit to harden.

Step 2 (between 2 days and 2 weeks after creating shapes): Trim the tops and sides. Add holes and channels for drainage. Carve name in bottom.

Step 3: First firing.

Step 4: Add glaze. I will leave each pot partly unglazed to show off the clay.

Step 5: Second firing.

The whole process may take 6 to 8 weeks, depending on the studio’s firing schedule and my free time.

友達が新年のきれいな盆栽を作ってくれました。金継ぎをした植木鉢に常緑樹のアセビが植えてあります。

This beautiful, new year bonsai made by a friend matches an evergreen tree with a pot re-made from shards.

I received this gorgeous new year bonsai gift from Matthew Puntigam, a friend and research fellow colleague at the Tokyo University of Agriculture’s Landscape Architecture Science department (農大). It’s a perfect new year gift: the woody bark tree retains its leaves in winter, the beautiful bowl re-created to show its cracks, lush moss and stones from a recent trip to Mie.

The tree is called アセビ (Asebi in Japanese, and Pieris japonica in Latin). My childhood home in the mid-Atlantic United States had a pair of these flowering broad-leaf evergreens by the front door. This specimen is simultaneously showing new growth and flower buds.

The method of putting broken ceramics back together is called 金継ぎ (kintsugi). This pot is one of Matt’s first, which he learned at the Suginami ceramic studio Shiho (史火) where I also make flowerpots and vases. Often gold is used, but I think silver goes very well with the black ceramic and winter bonsai.

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