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8月はあまり花が咲きません。多分、暑すぎるからです。けれども、東京の歩道で、ムクゲは育ちやすいです。明るい色と江戸文化との関係に興味があります。

August has more foliage than flowers, and it seems that few can bear the unrelenting heat. That’s what’s so wonderful about “Mukuge” (ムクゲ) a Japanese hibiscus that grows easily on Tokyo city sidewalks. I like the wild colors that make the city more spectacular, and Mukuge forms part of the Aoi (アオイ)family of flowers associated with the Edo shogunate.

Photo of Omeikaido Dori sidewalk, across from Sanshinomori Park in Higashi Koenji 蚕糸の森 公園、東高円寺。A small sign says that it was planted in March, 2010 with support from KDDI.

原宿で、ビンク色のスクーターがツツジの隣に駐車されていました。ぜいたくな商品と満開の自然が一緒になって圧倒的。こんな色の組み合わせもすごい。

Spotted in Harajuku, this pink scooter parked next to red azaleas. I am overwhelmed by the extravagance of this product juxtaposed with nature in full bloom, and, of course, the color combination. For all those foreigners who think that Japanese culture is full of restraint and minimalism, this image shows the other side. This mix of nature and industrial product reminds me of the psychedelic backdrops to the ubiquitous television variety shows full of shiny objects, moving parts, and more colors than the rainbow.

井ノ頭公園が花見を中止するというのは、本当でしょうか。先が見えないので、みんなが不安で落ち着かないようです。

My friend Matt sent me this intricate sakura weather map: it shows the updated forecast for the start of cherry blossoms across the Japanese archipelago. Even if you can’t read Japanese, it’s impressive to see how much weather forecasting amplifies cherry blossom season.

Today I also heard from Twitter’s @Matt_Alt that there are big signs at Inokashira park Big asking visitors to refrain from holding cherry blossom viewing parties there. This is one of Tokyo’s most famous parks, and one of the most popular places for young people to celebrate spring with all night and all day drinking parties.

It’s now just over two weeks after the horrific natural and man-made disaster that began with the East Japan great earthquake. With looming energy shortages, national mourning for the dead, and continued fears about nuclear fallout, Tokyo life will not be the same. Yet it is still impossible to fully know what will emerge in the coming months and years.

Will these events increase or reverse Japan’s hyper-urbanization? How will people respond to new concerns about food and water safety? Can the government and industry regain trust and provide leadership? How can civil society contribute to rebuilding the country and restoring Japan’s international reputation?

And can public spaces and local businesses flourish in a time of anxiety and uncertainty?

On my Meguro walk, I noticed two pocket parks, one newer and one older. Both have a similar plan: wide open space with gravel, and minimal plants, play areas, and seating. I know that one reason Tokyo parks are created this way is to provide a gathering space for emergencies. Yet if emergencies are an every 10, 20 or even 50 year experience, wouldn’t it make more sense to get better use out of the parks in the meantime? In an emergency the plants could be justifiably trampled, but at least they would provide more active natural environments for daily life.

During my weekday visit, I noticed two office guys taking a smoking break (separately), a senior taking a rest, and some high school kids on their cellphones. It would be great if there was also room for vegetable growing, butterfly gardens, bird watchers, and wildlife habitat.

Roppongi is a very foreign neighborhood for me since I rarely visit its offices, nightclubs and museums. However, with the recent conference, I took a friend along a back street between mega developments Mid Town and Roppongi Hills. We stumbled a very charming, small park named Roppongi West Park (六本木西公園). It was a welcome escape from the elevated freeways and concrete overload.

The park provides a great amount of shade and the loud murmur of cicadas. My fellow Maryland state friend and I wondered how come mid-Atlantic cicadas only appear every seven years, while Japanese ones go through similar seven year cycles but appear annually. The park had benches with businessmen smoking, chatting, using their cellphones, and escaping their offices. There were also sand box, playground, and a public bathroom.

Seeing this small gem made me think about the up-until-now unrealized possibilities for the mega developers to connect with their neighborhoods through landscapes. Mori Building talks about how its vertical gardens lower summer time temperature in its neighborhoods. And Mitsubishi Estate is concerned with making Marunouchi more attractive through livable streets.

Creating gardens and habitats that extend to nearby  pocket parks, as well as neighboring residential and commercial gardens, could brand these new places with historical memory, a signature fruit tree, butterfly or bird habitat, outdoor recreation, and innovative public place making. While the developers goal is to maximize rental income, attention to the neighborhood, its existing assets and people, could be a low-cost and high impact way to brand, differentiate, and attract visitors and tenants.

District landscaping is one of the most economical and transformative improvements. By extending beyond the limits of a single property or the holdings of one developer, district landscaping is vital to place-making, memory, habitat, and human affection.

I love this giant hedge framing a modern house in Nakano. It’s even more beautiful at night, which is when we discovered it on a walk through the neighborhood.

The house is mostly concrete with wood on the second floor balconies and some bamboo as a screen for the ground floor. I love how the hedge opens up to provide an entrance to the house (and a permeable parking space). The outer hedge is then echoed by a shorter inner hedge close to the ground floor windows. On the right side, there’s a small gap and room to park a few bicycles. It’s a great combination of privacy and opening, concrete structure and plant life.

I like how the gardener has used bamboo poles to train the hedge into an arch over the entrance. It’s a simple and elegant support.

Viewed from the side, the house disappears behind the thick greenery. Usually I am a fan of much greater plant variety, but this residential garden shows how much can be achieved with a single species.

Thanks to the 30 people who participated in the Tokyo DIY Gardening workshop last night at 3331 Arts Chiyoda. We created an enormous collage map and shared interesting stories and images of Tokyo’s wonderful green spaces, existing and imagined. A big thanks to Chris Berthelsen for conceiving, preparing and motivating this participatory project. We’ll digitize the 4 meter by 2 meter map and post about it soon.

This post is about park signage, with images of hand-drawn and printed signs outside the 3331 Arts Chiyoda park. Alongside a lawn and some shade trees, the front park includes a rose garden with several varieties. I found it interesting that the map of the rose types was so ad hoc and temporary: written on paper and affixed with metal clips.

This very informal sign contrasts with a more typical sign found in Tokyo parks. Using child-like manga, the sign details the many forbidden activities.

Perhaps the most interesting warning is 「他人の迷惑になる行為はやめましょう」。Let’s not do anything that will disturb other people, below an image of baseball players. I am struck by how the image is so specific and the warning is so open to any interpretation. It invites the reader to imagine just how many possible actions could bother other people.

A reminder that tomorrow night is the Tokyo DIY Gardening Workshop at 3331 Arts Chiyoda, a great new arts space in a converted junior high school. I took these photos last week when I went there for a planning meeting with my workshop co-organizer Chris Berthelsen of Fixes. It’s great that in addition to all the art exhibit, gallery and office spaces inside, the front of the 3331 Arts Chiyoda is a very welcoming park with a lawn and shade trees (plus a very popular smoking area next to a public bathroom).

For non-Japanese and non-parents, it’s a great experience to see the inside and even the roof of what seems like a typical city school: old wood shoe lockers, simple yet sturdy furniture, and rooms that seem very Bauhaus in their streamlined functionality. The roof is also interesting because for city schools that is probably where most if not all recreation takes place. For some reason the art space created this small lawn area, and of course I followed Chris’ lead in taking off my sandals and walking bare-foot on the grass.

3331 Arts Chiyoda has also set up dozens of rental plots for people who want to grow vegetables. If anyone is nearby, there seem to be plenty of vacant spaces, and it would be a cool place to grow vegetables and to get to know the arts groups and activities in the building.

The chain link fence on the sides and top, the institutional clock, even the caged loudspeakers evoke an ordinary childhood scene that is unfamiliar to me. It’s cool to experience these spaces, and imagine that many of the people I know in Tokyo attended schools like this.

A few weeks ago I took a long, rambling walk with Chris Berthelsen, author of the amazing blog Fixes which “investigates alterations of space/objects at the public/private boundary in suburban Tokyo.” I love his close observations, unlimited curiosity, and attention to materials and human effort and satisfaction.

The goal of our walk was to explore an area neither of us knew and attempt to get lost. In addition to some inventive fixes at a tiny park, we saw many beautiful gardens in Higashi Nakano. I love how the garden in the photo above focuses almost entirely on cymbidium orchids and clivia. Also noteworthy are the re-use of cinder blocks, the shelf that provides space for another level of plants, and the care in providing beauty at the edge between private and public space.

Another garden uses the two sides of a house to create a complex perennial garden using flower pots. Great variety of texture, color, and plant variety. I can only imagine how much more beautiful the garden would be if it were planted in the soil, and allowed to grow so much bigger.

I certainly would have missed this small garden below where both plants and bikes are tied with string to the window grate. It’s great to see that no space is wasted, and that multiple functions can be supported despite all constraints.

And lastly, I found this small, unpaved lane to be incredibly charming. The stick and bamboo fence, the line of trees and shrubs, the materiality of the soil all made me imagine that we were in a small country town, not two kilometers from the Shinjuku skyscrapers. There are still areas that seem wild within the center of Tokyo.

Rebar, an art and urban planning project in San Francisco, has just unveiled their first prototype of a street-side “walklet.” Rebar became famous for converting parking spots one day every year into inventive urban parks. The event grew, and drew more and more people around the world who changed the streetscape for one day. Now, Rebar is putting in semi-permanent “walklets” with benches, tables, bike parking, and planters on top of parking spaces. The project has been OK’d for six months, and can be continued if well received.

This is genius!

To quote from Rebar’s site:

Inspired by Rebar’s PARK(ing) Day and other efforts to convert parking spaces into people places, cities around the United States are transforming excess roadway into public plazas, pocket parks and experimental sites for new forms of urban infrastructure.

To help support this growing trend, Rebar has created “Walklet”—a modular, flexible sidewalk extension system designed to create new public spaces for people by extending the pedestrian realm into the parking lane.

The installation at 22nd and Bartlett in San Francisco is part of a pilot project supported by the City. The collection of benches, planters, bike parking, and tables, sheathed in stained bamboo and red wood, will be in place for six months, and if it’s well-received, could remain in place indefinitely.

The prototype has been arranged to suit the needs of that neighborhood’s site, but Walklet are incredibly adaptable. Each three-foot wide Walklet module provides a single, specific program that can be mixed and matched with other Walklet modules to create the right design combination for each unique site. Walklet extends the sidewalk surface into the street but provides much more than just a place to walk—it creates an adjustable, flexible, full-scale laboratory for developing and refining the perfect combination of user programs.

Like Flora Grubb Gardens, I, too, wonder what will they plant?!

Update: Here are photos of the planting.

Ho Chi Minh City’s Park and Greenery Office reports a 50% loss of green space in the past 11 years. Blame is attributed to developers ignoring city requirements for green space. The calculation includes parks, flower gardens, and road-side plants.

There are some interesting statistics. Currently there is .7 square meters of green space per person in the 7 million person city. The city’s goal is 4 to 5 square meters per person. The World Health Organization has set a global standard of 8 square meters per person.

This story illustrates the rapid rate of urbanization in Asia, the importance of green space as a health issue, and the difficulties of balancing urban development and human health.

With a few minutes to spare before meeting Hiraga Tatsuya of Landscape+, I stepped into nearby Shin Edogawa park. The colors were beautiful, and empty apart from a couple having formal wedding photos taken in traditional costume. I wonder what the small seasonal sculpture is. There were several placed in the garden, and they seem to be made of rice stalks, and possibly with a religious meaning.

Please let me know if you know. Here’s a close-up.

And another garden photo after the jump.

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Zenpukuji art in park with Matthew

Under the title “Trolls in the Park,” there is an outdoor public art display in Suginami’s Zenpukuji park: a quiet park with two ponds, many ducks and wonderful mature trees now turning colors. If you have a chance to attend before November 22, I recommend a visit.

It was late in the day, and my photos turned out blurry. Above is Matthew in front of a manga-inspired sign, one of a series that blends the natural world of the park with the narratives and scene-shaping of comic books. Below is one of a series of birdhouses with men’s ties.

Zenpukuji art in park: birdhouse with tie

Much better photos are available on the Art in the Park website. There’s also a funny blog (in Japanese) by the artist Toshiaki Tomita who calls himself a bad guide who doesn’t know anything about the park. Below is a photo of fall foliage, reason enough to visit the park.

Zenpukuji park fall foliage

The idea of temporary art in the park– enlivening nature with culture and vice versa– appears to be gaining international interest. This Tokyo event has many British artists, and I read about a similar event in Singapore (through December 27 in the Singapore Botanic Gardens).

Palm trees in Tokyo, Jason Dewees

San Francisco palm expert Jason Dewees, of Flora Grubb Gardens, recently visited Tokyo, the Seto Inland Sea and Yakushima, and documented his horticultural findings on the International Palm Society’s travel forum. Together we created Palm Sundae several years ago in Northern California. Above is one of his photos.

Packed with photos, Jason’s post is an expert traveler’s guide to urban trees and plants with a palm focus, as well as Seto Inland Sea palms and exotic plants found on Yakushima, Japan’s wettest place whose high mountains feature ancient Cryptomeria trees (commonly called cedar in English and sugi in Japanese). In Tokyo, Jason identified two main types of palm trees: Trachycarpus fortunei, self-seeding in roadside plant beds, in small parks, as well as in the wooded areas of Meiji Jingu, and Tracheycarpus wagnerianus in residential gardens. Trachycarpus fortunei is known in Japanese as shuro (シュロ, 棕櫚), and has been used for many traditional crafts including paper making and brooms. Jason also discovered and photographed in Tokyo potted and in the ground Rhapis palms, both common and unusual.

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