満月マンというスーパーヒーローの仕事道具は、ほうきとちり取りです。暑い日でも、支持者と一緒にほうきとちり取りを持ってきます。昔は、日本橋は日本国道路元標でしたが、オリンピックの開発後は、とても品格がなくなってしまいました。満月マンのおかげできれいになりそうです。どうもありがとう。m(_ _)m ＠mangetsu_man
This superhero’s tools are a broom and a dustpan. Mangetsuman even works on the hottest summer days. He explains his vision came to him in a dream, and he inspires others to also assemble here with broom and dustpan.
Most of his fans get his superhero business card. He gave me a micro-box of lemon drops. Special!
Blame the last Olympics for the freeway running on top of Nihonbashi bridge. Mangetsuman, a costumed cleaning superhero, armed with broom and dustpan, had a dream one night and decided to take on the mission of cleaning up the bridge.
These woodchucks with their ice cream cones and hair ribbons are irresistible. I also like the heavily shadowed angel fish which decorates a car parking tower also sponsored by “Happy & Sunlight” pachinko. With the ease of public transportation from Tokyo, I imagine Atami is ripe for reinvention for the post-automobile young people.
What’s surprising about Ogasawara is that there are no indigenous people. First settled in the mid 1800s by Americans who departed from Hawaii, the Japanese seized it during their colonial expansion, retaken by the United States after World War II, and then returned to Japan in the 1970s.
There are numerous reminders of the war. Inside the many hills you still see dank tunnels created for the island’s defense. Apparently there was no land war here, unlike (somewhat nearby) Iwo Jima. There’s also this incredibly forlorn-looking, Saint George church in the main port village. I love how the entry walkway does not meet the current sidewalk.
It’s odd to be in a place with such little human history. The English name for the islands, Bonin, is a mispronunciation of the Japanese words “no people” (bu nin, or mu nin).
A Japanese engineer who had worked on the Panama Canal created this important floodgate and canal alongside the Arakawa River in the 1920s. The red paint and the cherry blossoms make it scenic as well as functional.
UPDATE: Above is the film version, which took awhile to be developed. The colors seem much richer than the digital iPhone image below.