Here is the new year’s decoration (shimekazari) I created at Shiho studio for our front door. Although there’s a common look to commercial ones, including these at Muji, there’s a lot of variety in terms of shape and materials.
Below is Kuge sensei’s lovely arrangement at the entrance to her studio. The tiny black ball with three colorful petals is a traditional toy played with a badminton-like shuttlecock. Longtime Shiho studio student Hagiwara-san led the workshop and provided these amazing materials, including red berries, pine, paper, and seed pods.
Recently I brought 28 participants of the Dutch-Tokyo Still City workshop on “post-growth” urban life to Hamarikyu garden. This photo captures the simultaneity of activities inside and outside the garden: Edo-style pruning of pine trees, city dwellers enjoying traditional tea, port and luxury housing structures, even an incinerator chimney.
Last month I lead a fieldwork and green mapping workshop at Shibaura House. Despite the rain, participants seemed eager to explore Mita and Shibaura and to record the city with fresh eyes. It was a challenge for me to explain anthropology in Japanese. Shibaura House also posted photos.
This is the handout I made for the Shibaura House seed bomb workshop for kids. The recipe is 5 parts powdered clay, 2 parts soil, 1 part seed, and 1 part water. Thinking about the season, late spring, just before rainy season, I chose clover, soba, sunflower, hollyhocks, and watermelon.
The seed selection also responded to the theme of “eating and seeing green.” I wanted to provide food for animals as well as people, as well as flowers that are tall and easy to see. The soba and clover seeds are the least expensive and served as the seed “base.”
Corrected: Below are photos from the event, taken by Naomi Muto and written up by Shirakuma Ikuko in Japanese. It’s funny that my instructions were to make balls (dango), but the kids enjoyed making shapes like stars, bows, donuts, Jupiter, and even a black hole.
In the afternoon, the adults who attended the kick-off talk event also participated in vegetable planting on the 4th floor. Shibaura House is tweeting the growth of their new garden!
来週の土曜日の５月１９日、SHIBAURA HOUSE の「たべるみどり みるみどり」のキックオフイベントに参加します。子供たちのために種爆弾のワークショップ、グリーンカーテンとグリーン階段の作り方のワークショップ、そして片山陽介さんとトークイベントをします。興味があれば、是非来てください。
Next Saturday, May 19, I’ll be participating at the kick-off of Shibaura House’s two month Eat and See Green program. I am leading a workshop for kids to create seed bombs, helping plant a green curtain and staircase at Shibaura House, and talking on stage with Katayama Yousuke (片山陽介). The events are low-cost and open to the public!
I was fortunate to attend a photography workshop last week with the theme of Cities and Xerox. The event gathered about twenty Japanese creatives– including a sound engineer, high school art teacher, students, guidebook writer, book editor, lawyer, and salaryman– and together we created giant photographs layered together.
The workshop process was simple yet very fun. We were asked to take photographs on our way to the workshop. Then we each chose our best photographs for three topics: breakfast, landscapes, and people. The photographs were sent to FedEx Kinko to be blown up into various sizes. And then we worked together to layer them and staple them to a wood board, which would allow art center visitors to browse the images. While we waited for the photographs to be printed and biked back to the workshop, we also silkscreened t-shirts with the word “XEROXed.”
It’s great to see other people’s photographs and see how they view Tokyo. I was particularly struck by the breakfast images: everything from a traditional Japanese breakfast (many courses, including fish, rice, miso soup, pickles, etc) to a Denny’s, coffee, and those odd, squeezable jelly drinks in foil that are popular in Japan yet seem more suited to outer space. I was the only foreigner, but felt very welcomed by the organizers and participants.
The workshop was led by accomplished photographer Hirano Taro, who became famous for taking photographs of empty pools in California used by skateboarders. The workshop took place at Vacant art space in Harajuku as part of a series of Romantic Geography events created by Too Much Magazine’s Tsujimura Yoshi.
You can see our photographs through May 22 at Vacant. There are also coffee and beeswax events coming up. I had a fantastic time, and was very impressed with how accessible, fun and collaborative this event was.