入り口

The gated and staffed entrance to Mitsubishi’s enormous old estate, above Shinagawa

mitsubishi_kaitokaku_entrance_shinagawa

三菱会社の昔の大名の家には、入り口に警備員がいます。もちろん、その日陰のところから中に入ってみたいです。

Of course, I want to go into this shady spot.

mitsubishi_kaitokaku_entrance2_shinagawa

Fall foliage extended all the way to winter

秋は暖かかったので、紅葉は年末まで延長しました。去年の葉をまだ落としています。これは東京体育館の入り口から観た景色です。

Because fall remained warm in Tokyo, the fall foliage extended all the way to the end of the year. The last few leaves are dropping now. Here’s the view from entrance to the Tokyo Metropolitan Gymnasium out towards Shinjuku Gyoen, the elevated freeway, and the Sendagaya station.

Hanazono shrine offers shade and escape

蒸し暑い東京の夏は、日陰と木がとてもいいです。花園神社の入り口は新宿の混んでいる靖国通りの前です。神社はだれでも歓迎します。入ると、交通やネオンからちょっとのがれて、肉体的にも精神的にも一休みできます。

In Tokyo’s hot and humid summer, shade and trees are always welcome. I love how the entrance to Hanazono shrine faces busy Yasukuni Dori in Shinjuku, offering a physical and spiritual respite from traffic, commerce, neon, and host clubs.

Simple materials make an inviting restaurant garden facing the sidewalk

簡単な材料でおしゃれな入り口が作られて、小さなレストランの庭は、通行人が交流できる場所になっています。

It’s lovely to see these flowers outside a small neighborhood restaurant. The set-up could not be simpler: easily re-blooming perennials. a liquor crate, recycled wood. A simple gesture communicates to the street and offers a chance for interaction with pedestrians.

Readers, I know the orange flower is clivia. What is the smaller salmon colored flower? I have grown both in San Francisco.

Update: Thanks to Jason Dewees, the salmon colored flower has been identified as Freesia (Lapeirousia) laxa.

Leaving the apartment on a rainy spring day

アパートの入り口から見えた、雨降りの朝の景色です。節電ですから、電気をほとんど消しています。中と外の対象がはっきりしていますね。

This is the view from my apartment building lobby on a rainy spring day. Because of energy conservation, many lights are turned off. This increases the contrast between indoors and outdoors.

I walk through this lobby every day, and rarely think about it or consider taking a photo. Recently, I participated in the Xerox and City photo workshop at Vacant, led by Hirano Taro and organzized by Too Much magazine as part of their Romantic Geographies series. We were asked to take photos of our breakfast and then our trip to the workshop in Harajuku. It made me think more about spaces that become automatic or ignored.

Tokyo residents are more aware of energy use and lighting now. Many parts of the city are less brighly lit: from billboards to train stations to residences. By lowering our lighting, we are more attuned to natural cycles, and more sensitive to the boundaries between private and public, indoor and outdoor, personal and shared resources.