This dill has been providing a nice flavor to our food for the past months. It tastes so expensive, and it’s fun to walk a few steps from the kitchen and grab some leaves. This ceramic pot is from the first series I made when I first came to Tokyo four years ago and began studying at Shiho ceramic studio.
Tokyo University of Agriculture Professor Suzuki is planning a firefly habitat at a junior high school. Each year, teachers and students from the Tokyo school visit Gunma to study fireflies. This year I was also invited.
Fireflies need clean water and darkness. According to Professor Suzuki, creating habitat in the city also requires a “social design.” The temple, cemetary, and senior center near the school are also invited to participate.
When we arrived at Kawaba-mura, the school girls weeded a rice field and played with frogs and crabs in the creek. Even though they are city kids, the students are very brave.
At night, we saw Genji fireflies and Heiki fireflies. There are a lot of fireflies on the edge between the forest and the rice field.
We stayed at a hotel called “Nakano Village” which on the inside is Japanese modern style, and on the outside the building looks like part of the hillside. It was designed by the famous Sakakura Associates.
Kawaba mura has many apple orchards, and recently they are also growing blueberries.
The trip made me think of the following:
- How can gardens be created in multiple connected sites?
- How can all city and country kids learn about each other’s environments and lives?
- How can cities begin to value darkness as essential to their vitality?
- How can kids and adults create habitat and support wildlife where they study, work, play, and live?
I was fortunate to attend a photography workshop last week with the theme of Cities and Xerox. The event gathered about twenty Japanese creatives– including a sound engineer, high school art teacher, students, guidebook writer, book editor, lawyer, and salaryman– and together we created giant photographs layered together.
The workshop process was simple yet very fun. We were asked to take photographs on our way to the workshop. Then we each chose our best photographs for three topics: breakfast, landscapes, and people. The photographs were sent to FedEx Kinko to be blown up into various sizes. And then we worked together to layer them and staple them to a wood board, which would allow art center visitors to browse the images. While we waited for the photographs to be printed and biked back to the workshop, we also silkscreened t-shirts with the word “XEROXed.”
It’s great to see other people’s photographs and see how they view Tokyo. I was particularly struck by the breakfast images: everything from a traditional Japanese breakfast (many courses, including fish, rice, miso soup, pickles, etc) to a Denny’s, coffee, and those odd, squeezable jelly drinks in foil that are popular in Japan yet seem more suited to outer space. I was the only foreigner, but felt very welcomed by the organizers and participants.
The workshop was led by accomplished photographer Hirano Taro, who became famous for taking photographs of empty pools in California used by skateboarders. The workshop took place at Vacant art space in Harajuku as part of a series of Romantic Geography events created by Too Much Magazine’s Tsujimura Yoshi.
You can see our photographs through May 22 at Vacant. There are also coffee and beeswax events coming up. I had a fantastic time, and was very impressed with how accessible, fun and collaborative this event was.