On the first anniversary of the March 11, 2011 earthquake, tsunami and nuclear disasters, I spent the afternoon at a memorial in Hibiya Park, and then joined tens of thousands forming a human chain around Japan’s national assembly, the Diet. I snapped a lot of photos, along with @sub_fauna, who took some great photos.
It was great to see so many people coming together to ask for fundamental change to energy and politics. Striking were the number of seniors, the odd costumes including several Pokemon, the mix of the mournful and colorful. A few Japanese friends asked me what a “human chain” was, as if it were a complicated imported notion. It was very touching to see people holding hands around the center of government.
I was also impressed with how organized the entire demonstration and policing were. The long cross-walk in front of the Diet was occupied only while the light was red. The police remained very calm, and their main tools were rolls of neon police tape, megaphones, and fabric traffic barriers with rings for lines of police to easily hold.
Thanks to Professor Suzuki Makoto at Nodai, I went on a bus tour of Adachi ward’s cherry trees. They are celebrating the ward’s role in the 100th anniversary of Japan’s gift of cherry trees to Washington DC, where they are now a landmark landscape along the Potomac.
It was fun to see how many local people turned out for the tour and ward office symposium. Adachi-ku continues to cultivate many types of cherry trees, including this winter blooming one. Unfortunately, many of the open spaces for tree-planting are marginal spaces: below the high voltage power lines, and along the Arakawa River, where they are drowned out by multiple levels of elevated freeway.
Like most of Tokyo, it all depends in which direction you’re looking. Adachi-ku is proud also that it retains many views of Mount Fuji. Many of these views include the river and also smokestacks and factories.
「Travel Guide to Aid Japan」という本は3.11の後、外国人にもっと日本を訪れるように勧めます。この本の編集者が、僕の「のんべい横丁」の写真を使いたいと連絡してくれました。世界の芸術家や作家やファッションデザイナー４１人が、日本で一番好きなところについて書いています。この本に参加できたのがうれしいです。
I just received my copy of Travel Guide to Aid Japan, a stylish book with 40 artists, writers, fashion designers, and other cultural figures recommending their favorite places to visit in Japan. The WAttention editor had asked me recently for permission to use my Nonbei Yokocho photo, and it’s amazing how fast the book went to print. The foreward is by Alex Kerr and participants include Tokyo’s Jean Snow. I was glad to participate in this book.
Tokyo University of Agriculture Professor Suzuki is planning a firefly habitat at a junior high school. Each year, teachers and students from the Tokyo school visit Gunma to study fireflies. This year I was also invited.
Fireflies need clean water and darkness. According to Professor Suzuki, creating habitat in the city also requires a “social design.” The temple, cemetary, and senior center near the school are also invited to participate.
When we arrived at Kawaba-mura, the school girls weeded a rice field and played with frogs and crabs in the creek. Even though they are city kids, the students are very brave.
At night, we saw Genji fireflies and Heiki fireflies. There are a lot of fireflies on the edge between the forest and the rice field.
We stayed at a hotel called “Nakano Village” which on the inside is Japanese modern style, and on the outside the building looks like part of the hillside. It was designed by the famous Sakakura Associates.
Kawaba mura has many apple orchards, and recently they are also growing blueberries.
The trip made me think of the following:
- How can gardens be created in multiple connected sites?
- How can all city and country kids learn about each other’s environments and lives?
- How can cities begin to value darkness as essential to their vitality?
- How can kids and adults create habitat and support wildlife where they study, work, play, and live?
都市とゼロックスという写真のワークショップに参加しました。たくさん勉強になって、楽しかったです。@TaroHirano77 や @VACANTbyNOIDEA や @toomuchmagazine や @sk8linus にありがとうございます。
I was fortunate to attend a photography workshop last week with the theme of Cities and Xerox. The event gathered about twenty Japanese creatives– including a sound engineer, high school art teacher, students, guidebook writer, book editor, lawyer, and salaryman– and together we created giant photographs layered together.
The workshop process was simple yet very fun. We were asked to take photographs on our way to the workshop. Then we each chose our best photographs for three topics: breakfast, landscapes, and people. The photographs were sent to FedEx Kinko to be blown up into various sizes. And then we worked together to layer them and staple them to a wood board, which would allow art center visitors to browse the images. While we waited for the photographs to be printed and biked back to the workshop, we also silkscreened t-shirts with the word “XEROXed.”
It’s great to see other people’s photographs and see how they view Tokyo. I was particularly struck by the breakfast images: everything from a traditional Japanese breakfast (many courses, including fish, rice, miso soup, pickles, etc) to a Denny’s, coffee, and those odd, squeezable jelly drinks in foil that are popular in Japan yet seem more suited to outer space. I was the only foreigner, but felt very welcomed by the organizers and participants.
The workshop was led by accomplished photographer Hirano Taro, who became famous for taking photographs of empty pools in California used by skateboarders. The workshop took place at Vacant art space in Harajuku as part of a series of Romantic Geography events created by Too Much Magazine’s Tsujimura Yoshi.
You can see our photographs through May 22 at Vacant. There are also coffee and beeswax events coming up. I had a fantastic time, and was very impressed with how accessible, fun and collaborative this event was.