Named re-vibe, these teens were preforming a dance style that involves basketballs. Behind them, in the entrance to Yoyogi Park is a gorgeous pine tree, protected for winter by precisely spaced ropes.
A single tree standing in the entrance to a modern Tokyo house provides a marvelous contrast between the traditional and the new. The beauty of the single tree and the clean lines of the boxy concrete home create a uniquely Japanese feeling, or what I introduced recently as wafu modern (和風モダン) in relation to Kuma Kenga’s new Nezu Museum and tea house.
The intricately pruned pine tree evokes hundreds of years of Japanese garden design almost single-handedly. The pairing suggests a forward-looking aesthetic that remembers and revitalizes traditional culture elements.
From an ecological perspective, the single tree and minimal shrubs provides very little habitat. This quiet cul-de-sac suffers a typical Tokyo over-abundance of pavement, which is a certain pathway to Tokyo Bay pollution from storm runoff and an obstacle to insect and plant life that could feed and shelter bees, birds and other urban wildlife.
Still, the effect of the tree is all the more dramatic against the excess of hardscape. I also would regret if urban ecology became a quantitative calculation of efficiencies and benefits. There must be a place for not only traditional culture but also the type of human care and aesthetic appreciation manifest in this stylized pine tree.
Diane Durston of the Portland Japanese Garden invited me last week to visit the Nezu Museum, which recently reopened. The art collection of scrolls and screens representing nature from the fourteenth century are stunning, as is the new building designed by Kuma Kengo is a wonderful example of “wafu modern” (和風モダン), a modernization of traditional Japanese design. But mostly I was drawn outside to the large garden.
The winding paths and unexpected size make you feel far from Aoyama. Although just outside the main exhibit hall, the garden is marred by the sight of the strangely tall and also squat Roppongi Hiills Tower, once inside the garden it is a fantasy of forest punctuated by old tea houses, streams and ponds. The garden has been revived yet retains a look of simplicity and wildness. Originally it formed part of the home of the museum founder Nezu Kaichiro, the Tobu Railway president and industrialist who was a collector of pre-modern Japanese and Asian art.
Perhaps even better than Kuma Kengo’s main exhibit hall is his modern take on the Japanese tea house. The new cafe is incredibly light and airy, opening out on to the garden and with an interesting ceiling light that looks like illuminated stone.
Since our visit last Friday, the weather has turned much cooler, especially at night. The next few weeks will have wonderful fall foliage in the garden.