Wrapped in rice stalks to protect them from the cold, these tall sidewalk cycads add an element of traditional Japanese gardens to a large city street. I love the craft and care visible in the wrapping, and the shapes look almost human. I included the photo below to show off the fantastic 1960s or 1970s architecture of the residential building nearby.
This kintsugi pot adds a bright metallic shine to the balcony garden. Here I’ve planted this long-blooming flower. I like the pink-red flowers, which have bloomed for months. Kintsugi, which is the decorative repair of usually old pottery, is a specialty of my teacher at Shiho ceramic studio.
I don’t know the name of this plant, and frankly bought it as “filler.” The husband thinks that “filler” is a harsh name, but don’t most gardens also rely on having a few plants purchased for their immediate appeal with minimal money and thought? Since it’s thrived so long, I should probably learn its name.
Update: The Japanese name is Seroshia (セロシア), and it’s called Celosia argentea, plumed cockscomb, and Prince of Wales Feathers and Flamingo Feathers.
I am making more flowerpots at Shiho ceramic studio. Usually I like to make monochromatic flowerpots that don’t distract from the plants. This time I tried a technique that other students have used where they combine several colors of clay. Once I used the rolling pin, what I thought was a thin design became fat. When something this accidental happens, I feel lucky that Japanese sometimes think foreigners have unique design sensibilities.