Named re-vibe, these teens were preforming a dance style that involves basketballs. Behind them, in the entrance to Yoyogi Park is a gorgeous pine tree, protected for winter by precisely spaced ropes.
I love this canal view, the layers of visible history in buildings, and the wide water that evokes pre-industrial Edo life. Even the regrettable additions, like the elevated freeways, show how Tokyo constantly evolves not through great design but by continual addition to what was already there.
There is so much transportation infrastructure on this wide canal in Shibaura Ichome. I also love how the small post-war house at the corner has been built up over the years with additions, and then surrounded by a taller modernist office and more recent, larger buildings that are more about function than form. There’s something very calming about seeing this large expanse of water, and a view of how Tokyo became layered with new structures over time.
Hitachi recently invited me to visit Sky Tree this summer. I’d delayed visiting because it seems far away from where we live, and because of the long lines. Seeing it complete, however, is very impressive with its exposed structure and unbelievable city views. I recommend going at twilight when the sunlight is dramatic, and then slowly the city lights up as the sky darkens.
Hitachi is responsible for the elevator between the first and the top observatory decks. In addition to its large capacity, the elevator ascends very quickly and is thus a showcase for Hitachi’s latest technologies. I was surprised to learn that when it is windy, this upper elevator is often closed for passenger safety.
I loved seeing the bay, the Sumida River, Marunouchi and in the distance Shinjuku.
Even on the briskest cold days, it’s such a pleasure to cross Shinjuku Gyoen. The bare cherry tree in the foreground, reflections, and upside down landscape and sky are dazzling on a clear day.
Because fall remained warm in Tokyo, the fall foliage extended all the way to the end of the year. The last few leaves are dropping now. Here’s the view from entrance to the Tokyo Metropolitan Gymnasium out towards Shinjuku Gyoen, the elevated freeway, and the Sendagaya station.
Sometimes I am aware that my home office has a sublime view.
With any excuse, I like to cut across Shinjuku Gyoen. There are so many different plants and landscapes to see there. I like the contrast of these photos. Above late summer maple trees are lush green, and reflected in a pond. Only the wooden edge suggests that it is a garden and not a natural wonder. Below is the Japanese garden, with a path through the pond and gardeners hard at work styling nature into a very specific shape. I love seeing both woody and stylized versions so close to each other.
Few buildings in Tokyo are as iconic as Tokyo Tower. In a mega-city that sprawls as far as Japan’s second largest city, Yokohama, Tokyo lacks a single center, a recognizable river, or a conventional view of its skyscrapers, unlike NYC’s Hudson River or Central Park views.
I like how the top photo’s framing of Tokyo Tower mixes auto traffic with mature trees and a shrine entrance gate in a nostalgic ode to the 1950s. The lower photo shows its reflection at night in an office mid-rise.
Visiting a nearby gallery, I wanted to show my friend the Gokokuji temple, just past the station. It was more magical and quiet than I had remembered. I love the long climb up the hill, and how the landscape frames the entrance gate, which in turn further frames the landscape.
This is the view from my apartment building lobby on a rainy spring day. Because of energy conservation, many lights are turned off. This increases the contrast between indoors and outdoors.
I walk through this lobby every day, and rarely think about it or consider taking a photo. Recently, I participated in the Xerox and City photo workshop at Vacant, led by Hirano Taro and organzized by Too Much magazine as part of their Romantic Geographies series. We were asked to take photos of our breakfast and then our trip to the workshop in Harajuku. It made me think more about spaces that become automatic or ignored.
Tokyo residents are more aware of energy use and lighting now. Many parts of the city are less brighly lit: from billboards to train stations to residences. By lowering our lighting, we are more attuned to natural cycles, and more sensitive to the boundaries between private and public, indoor and outdoor, personal and shared resources.