Between Kyodo station and Nodai’s campus, a few old mansions remain with large yards and mature trees. The bicycling student’s brown hair matches the wood fence.
I am very pleased to announce a new website that provides scholarly and general public information about the hundreds of Japanese gardens outside Japan. This project puts online the database of Tokyo University of Agriculture’s Professor Makoto SUZUKI, the world’s expert on this unique Japanese cultural export. There are Japanese gardens in six continents, in conditions ranging from arid Australia to urban Brazil. I hope that my blog readers may have the opportunity to visit one of these living art works near where they live or travel.
A special thanks to the incomparably talented Ian Lynam, who created the visual design and the logo for the new Center for International Japanese Garden Studies.
Viewed through a chain link fence, ripe eggplants and chile peppers are growing in a small farm between the road and some apartments. I enjoy seeing this farm on my bike ride to Nodai.
This road beneath a canopy of street trees leads to the Nodai campus from Chitose Funabashi. When I commute there by bike, it makes a lovely end to my ride.
On the long walk from Kyodo station to Nodai (Tokyo University of Agriculture), there’s a house and large garden where the residents are always gardening. This year they created a huge, two meter high trellis of fusenkazura (フウセンカズラ). The name is literally balloon kudzu, and despite looking delicate, it’s very hardy. The vine produces lots of white flowers, followed by a multitude of green balls that then turn orange. This year, I’m growing two specimens on our balcony.
Like all of Tokyo, the Nodai campus seems to be in a state of constant demolition and reconstruction. I like how they have preserved this old grove of tall trees that remind you that this Agricultural school has a one hundred plus year history as a center of innovation and learning.
To get to Nodai, I bike along a long and straight road covering an old water pipe. Last time I saw this small corn field in Setagaya, surrounded by various types of dense housing.
What a happy classroom taught by professor owl. Yuki spotted this cute diorama in the gap space in a resident’s cinderblock wall, between Nodai and the Kyodo station. What a tiny surprise.
It was raining when @ilynam and Yuki joined me for the first meeting to create a website for the 500 garden database of Japanese gardens outside Japan, a project I am helping Suzuki sensei with this year.
At the entrance to the school, somehow this rainy scene was an apt start for this exciting project where we will mix design, gardens, pixels, and soil. Bringing this knowledge online will be very helpful for people around the world who are interested in knowing about and visiting hundreds of Japanese gardens in dozens of countries. And working with design stars Ian and Yuki, I am confident that we can combine simplicity and beauty in the interface.
The banner offering campus tours for new students says, “We are people who scoop. Environmentally active students.” The word sukuu means “scoop” and also “save.”
This beautiful, new year bonsai made by a friend matches an evergreen tree with a pot re-made from shards.
I received this gorgeous new year bonsai gift from Matthew Puntigam, a friend and research fellow colleague at the Tokyo University of Agriculture’s Landscape Architecture Science department (農大). It’s a perfect new year gift: the woody bark tree retains its leaves in winter, the beautiful bowl re-created to show its cracks, lush moss and stones from a recent trip to Mie.
The tree is called アセビ (Asebi in Japanese, and Pieris japonica in Latin). My childhood home in the mid-Atlantic United States had a pair of these flowering broad-leaf evergreens by the front door. This specimen is simultaneously showing new growth and flower buds.
The method of putting broken ceramics back together is called 金継ぎ (kintsugi). This pot is one of Matt’s first, which he learned at the Suginami ceramic studio Shiho (史火) where I also make flowerpots and vases. Often gold is used, but I think silver goes very well with the black ceramic and winter bonsai.