Ikebana International asked me to write about Tokyo street gardens and share my photos for their member-supported publication that dates back to 1956. Thanks to the editor Kim Schuefftan for allowing me to reach a very different garden audience. I am curious what Ikebana International and Tokyo Green Space readers think about the article, Tokyo Street Gardens: Unrecognized Beauty (7 page PDF, 1.4 MB). Volume 58, Issue 2, pp 24-30. 2014.
ペイユン・リンさんのおかげで、初めてTokyo Green Spaceについての中国語の記事が出ました。『Green』は台湾の建築関係の雑誌です。記事の題名は、「東京都市學，衝突新美學」です。
Thanks to Peiyun Lin, an article about Tokyo Green Space appears in this month’s Green magazine, a Taiwanese architecture magazine. The title is “東京都市學，衝突新美學,” which the author translates as Tokyo Green Space: The City Full of Conflicts. The photos are mine, and Peiyun’s story based on this blog.
Around this time last year I worked with film photographer Daisuke Hamada on a long article about flower pot gardens in Tokyo for The Plant, a semi-annual magazine from Spain. The article combines a personal essay about the pleasure of urban gardening and includes two interviews with my Nakano neighbors who have created public beauty with very limited space and budgets. Some blog readers have asked for a copy, so I am attaching a PDF scan here (3 MB).
Shared Beauty: Tokyo’s Pot Gardens. The Plant, Issue #3. Fall, 2012.
来月は、CITIESというアムステルダムの雑誌が都市農園の本を出します。Chris Berthelsen とJessica Mantellと、東京ローカルフルーツについて書きました。@citiesonline をありがとうございます。
Amsterdam-based CITIES is releasing Farming the City on April 10. Chris Berthelsen, Jessica Mantell, and I contributed a chapter on Tokyo local fruit. Please check it out online or on Facebook. Great illustration!
最初のフィルムに、一番好きな中野と新宿の庭の写真をとりました。飯島さんの花の壁はとても素敵です。Plant Journal という雑誌の記事に、インタビューをしました。訪ねたときに、飯島さんは、「今、何も咲いていません」と言っていました。フィルムなので、イメージが古く見えますね。
For my first roll of film, I took photos of my favorite gardens in Nakano and Shinjuku, plus my own balcony garden. In the foreground above is Iijima-san’s flower wall house. He has 500 hundred potted plants, mostly flowers, rising from the street to the roof. I interviewed Iijima-san for the Plant Journal article I wrote recently.
His first sentence in greeting us was, “There’s nothing blooming now.”
It’s funny how using a film camera makes the image itself look older. The texture and colors in this image seem so different than the bright and flat images I am now accustomed to seeing with digital images. In the next days, I’ll put up more images from this first roll.
Lotus Editorial kindly sent me a copy of Lotus 149, titled Lotus in the Field, which explores the relations with the countryside. Lotus is a beautifully designed, Italian-English bilingual architecture quarterly from Milan.
Lotus 149 includes two of my urban agriculture photographs: one of Pasona’s corporate lobby rice field, the other an outdoor, temporary rice field in Ginza that took advantage of an empty lot between demolition and new construction.
I was happy to see that my Pasona photograph extends into a second page, and I like how the image shows a more ambivalent side of the project than the text and photos provided by the architects and corporation. Especially with the post-3.11 energy shortages after the nuke plants have been suspended, creating a show garden with grow lights looks less than utopian.
Barcelona-based Plant Journal invited me to write an article about Tokyo flower pot gardeners, and arranged for Daisuke HAMADA to take film photos of the gardens I selected in Nakano and Shinjuku. I interviewed two older gentlemen whose gardens I’ve long admired.
Hamada-san’s fantastic photos inspired me to buy a film camera, and in a few weeks I’ll start posting from my first roll. I think it’s been nearly twenty years since I had a film camera.
DId you know that Oshima island, off the coast of Izu, is part of Shinagawa ward? From the pier near Hamamatsucho, it’s an eight hour overnight ride on a slow and rather large boat. I recently went with Paper Sky’s Bicycle Club.
Highlights included watching the sun rise at black lava rock “desert” atop the volcano, fun and fashionable cyclists in their twenties, thirties, and forties, the slow over-night boat ride, two onsens, a small port made from a volcanic crater. We saw the end of the camellia season, the blooming of Oshima cherry trees, and ate ashitaba leaf vegetable. Dai dai cocktails cmobined local citrus with booze.
I am now even more impressed with Paper Sky, which is a travel magazine and also the hub of mountain climbing, food, book, and bicycle clubs. My fellow travelers were an interesting mix of bicycle sellers, magazine editors, serious and hobby cyclists, photographers, and creative types. I was surprised that the rental bikes were all Bruno bikes, which have small tires, great colors, and are excellent for city biking and mid-range touring.
With its real world events and groups, Paper Sky’s publisher, Knee High Media, is clearly thinking about a new type of publishing beyond paper, the web, and smart phones.