昨年末から、オランダの「Still City」という東京についての研究とアートのプロジェクトに参加しています。「Still City」の主題は成長後の都市です。中学生たちが電車のホームでDSで遊んでいる写真は、静かな都市のイメージの一つだと思います。東京は巨大なのに、公共の場所は平穏です。安全なので、包括的です。
Since late last year, I’ve been involved with a research and art project called Still City, based in Amsterdam. Over 25 Dutch urbanists, designers, and artists came to Tokyo to create a guide book exploring the idea of Tokyo as a Still City. The main meaning of “still city” is post-growth.
This image of two school kids lost in a daze of handheld gaming on a train station platform also make me think of a still city. Tokyo is a “still” mega-city that is remarkably quiet despite the crowds of people, and with few exceptions, disarmingly safe. Tokyo is also a place where public functions, from transit and streets to bathing and swimming, are clean, efficient, and open to everyone.
Braving the summer heat, I walked through the huge green space of Aoyama Cemetery in Minato. Despite the approach of the obon holiday, there were few people inside the park, including a solitary runner and a few cars passing through. The cicadas were incredibly loud, and large crows perched in the trees.
Aoyama Cemetery is Tokyo’s largest (26,000 square meters), with hills, valleys, many trees, and a central lane with 200 cherry trees. The 100,000 graves include Hachiko, famous Japanese politicians and artists, as well as a foreigner section (gaijin bochi).
The cemetery is incredibly central, and provides a mix of natural views and tombs juxtaposed with the sights of new skyscrapers on the periphery. There is an odd resonance between the tombs and the tall buildings in the distance.
Terrefuge, a New York City urban-eco design collaborative, has created this visual of the amount of waste produced by New York City every hour. To reach a goal of carbon negative cities, this collaborative explores future designs and urban planning that increase the production of energy, food and public health. It is an interesting mix of architects, ecologists and artists.