Walking at night in Chiyoda after a meeting at 3331 Arts Chiyoda, Chris and I found an amazingly dense and mature sidewalk garden that seems to be tended by a sushi restaurant. The planting is amazingly thick, creating a green wall between the sidewalk and the large boulevard in front of the restaurant. I like how the owners felt they could own this space and sacrifice some pedestrian space to make the small area around them so much nicer.
There’s a variety of trees and bushes and small plants in recycled pots and layered on cinder blocks (called “breeze blocks” by the New Zealanders) and other found stuff including beer crates, wood, bricks, and blocks. There’s even two plastic pots hanging from a ginko street tree that are currently empty. Makes me want to contribute something!
For urban gardeners, one key question is how to get plants, soil and pot from store to house. I buy many of my plants from small shops that are on my way from the train station to my apartment. Sometimes I bike to a DIY big box store called Shimatchu, and use a combination of large backpack and balancing plants in plastic bags across my handle bars.
Recently I discovered coconut husk as a soil. It’s sold at a wonderful Kichijoji indoor growing shop called Essence. Made entirely of husk, it recycles what would otherwise be waste, and it seems to be a high quality organic soil. Even better, it is sold dehydrated, so it is very light weight for transportation from shop to home.
I have bought three blocks (also called tampons) that make 11 liters when hydrated. Nakata-san of Essence recommended blending it 3-1-1 with perlite and vermiculite, which are also very light weight and low cost. When blended it makes about two regular sized buckets of soil.
I also used coco husk soil in small disks that expand with water to form seedling starters wrapped in a simple rope pouch.
You can see that my morning glory seeds were the first to sprout.
I also bought this funny Gro-Pot, a thick plastic bag with coco husk that you hydrate and plant directly into, as if it were a flower pot. I’ve put a sunflower in my Gro-Pot (bought for 500 yen, just over $5 from a local flower shop). Both the Gro-Pot and the coconut husk block are from U-Gro.
For the coco husk mix, I used another light weight new idea: Smartpots, a soft-side fabric container that claims to be better than plastic and clay containers, is super easy to carry and store. The makers claim that these polypropylene containers aerate and air prune the roots. When you buy the smartpots, they come folded up, which is very convenient.
I am on a deadline for an article for Newsweek Japan. It will be my first article published in Japanese about Tokyo Green Space. There’s so much I wanted to say, and after several efforts I felt completely stuck with a looming deadline.
Fortunately, the husband is a writing genius, and he helped me diagram my article, create a story, several themes, and tone of voice. And then he taped it to the wall above the kitchen table where most of this blog is written.
I will post the article soon, in Japanese and English. Thanks, husband!
Encouraged by my host Suzuki Makoto sensei at Tokyo University of Agriculture, I recently visited the Edo Gardening Flowers exhibit being held at the Ukiyo-e Ota Memorial Museum of Art until November 26,2009. The exhibit has spectacular colorful wood block prints showing flowers and plants in a variety of urban settings including kimonos, at festivals, commercials nurseries, educational materials, Kabuki actors, and Noh dramas.
The exhibit theme is that the Edo period experienced a “gardening culture” in which a passion for gardens and flowers permeated all social classes, including court nobles, shoguns, feudal lords and the common people. According to the catalogue, “the Japanese people’s passion to flowers surprised the American botanist Robert Fortune as seen in his diary upon his visit to Japan in the late Edo period.”
An interesting comparison is also made between between the widespread practice of Edo gardening and also the interest of common people in wood block prints. It is wonderful to see the use of flowers and plants in both high culture realms and in depictions of everyday life during the Edo period.
Two of my favorite prints are collections of plants used by children to learn the names of flowers. The one below, from the back cover of the exhibit catalog, has the names in hiragana. The exhibit also includes Edo era ceramic plant pots.
Some more images after the jump, and also a list of plants seen in the wood block prints.
During an October visit to Okayama, a friend stumbled upon an amazing firefly habitat in Nishigawa park, a small canal with a lovely walking path cutting through the center of the city. Although now hatching below water, as the sign above shows, it was amazing to see how a city creats an urban habitat for fireflies. And it reminds me of Professor Suzuki Makoto’s firefly project in Shinagawa, Tokyo.
The firefly habitat occupies one long block of the Nishigawa park, which has different walkways, seating areas and plant arrangements on each block. For fireflies, there is a small slow-flowing, side canal where the fireflies hatch on the opposite side of the wood bridge from the main canal. A huge wall of vegetation provides nocturnal darkness and protection.
I am curious how long the park has been around, and what it is like during summer firefly season.
More on Nishigawa park after the jump.