The second house seems somewhat more recent and more Western in style, with lots of fancy metal work and a mix of brick and concrete. During the demolition, archaic machines were perched above the front entry.
I like how the misters on these giant green columns benefit the plants and overheated people below. There’s also a lovely effect of plants and mist against early 20th century brick, preserved as part of the Marunouchi Brick Square development by Mitsubishi.
A miniature fantasy landscape freely shared on a Tokyo curbside.
This tiny curbside garden is a fantasy landscape in miniature in what was probably dead space previously between the house and the road. There’s moving water, a palm tree, plants, and several odd characters. I found it just across the road from the giant tree on that former country lane that is now barely visible in Suginami, not far from Opera City.
The contents are fun in their whimsical incongruity. Even in this tiny space, there are several overlapping vignettes. A tiny palm tree joined by a sliver bunny and a character that appears to be a cross between European Romanticism and anime; several Sago palms (Cycas revoluta) beneath some mid-height bushes; and the fountain with water plants and a character trio with a helmeted princess, a red Cobra super-hero whose left arm is a semi-automatic weapon, and an over-sized yellow dog. The fountain features plants, a tiny cliff-side, and bathtub ducks.
The garden structure is very DIY: low-cost, anonymously designed, and highly imaginative. I love that the gardener is sharing this creation with the neighbors and passers-by. The garden’s minimal foundation is constructed mostly of low-lying brick with some wood fencing. I particularly like the tag that shows the flowers that will bloom later.
Thanks again to @ArchitourTokyo for the great bike tour where we discovered this sculpture garden.
Walking at night in Chiyoda after a meeting at 3331 Arts Chiyoda, Chris and I found an amazingly dense and mature sidewalk garden that seems to be tended by a sushi restaurant. The planting is amazingly thick, creating a green wall between the sidewalk and the large boulevard in front of the restaurant. I like how the owners felt they could own this space and sacrifice some pedestrian space to make the small area around them so much nicer.
There’s a variety of trees and bushes and small plants in recycled pots and layered on cinder blocks (called “breeze blocks” by the New Zealanders) and other found stuff including beer crates, wood, bricks, and blocks. There’s even two plastic pots hanging from a ginko street tree that are currently empty. Makes me want to contribute something!
In spring the sustainability director of ARUP showed me the incredible designs for Inujima Art Project, and I had known immediately that I wanted to visit and see it for myself. In an earlier post, I discussed its zero energy use through a creative natural cooling, heating and lighting system, and its wastewater recycling program.
Also listed was the the architecture by Sambuichi Hiroshi, art by Yanagi Yukinori using elements from Mishima Yukio’s house and writings, and the benefactor Fukutake Soichiro, Benesse‘s owner and the creator of nearby Naoshima, another island in the Seto Inland Sea.
Visiting Inujima on a beautiful fall day in October and spending the night in a school house closed many years ago and converted into a hostel was an incredible experience combining nature, recent history, art, and questions about Japan’s industrial past and its 21st century future.
Inujima in the early 20th century was a small island with over 3,000 inhabitants in the early 20th century. In a brief period of ten years, Inujima was the site of a massive seirenshou, or copper refinery, placed in the Seto Inland Sea to keep the intense pollution away from Japan’s population centers. With the collapse of copper prices after only ten years, the refinery closed and the island entered a long period of decline.
Today there are approximately 50 residents, with an average age of 70 or more. The chimney built just before the refinery closed now serves as an integral part of the zero emissions temperature system in the new museum structure. Earlier chimneys had less structural integrity, and large parts of the refinery, including its original power station, are now being reclaimed by thick forest.
After the jump, a discussion of the art work and the island today.