This film photograph of the mysterious Nakano forest house looks so much different than the digital one I posted recently. I love how green and over-grown this house has become.
最初のフィルムに、一番好きな中野と新宿の庭の写真をとりました。飯島さんの花の壁はとても素敵です。Plant Journal という雑誌の記事に、インタビューをしました。訪ねたときに、飯島さんは、「今、何も咲いていません」と言っていました。フィルムなので、イメージが古く見えますね。
For my first roll of film, I took photos of my favorite gardens in Nakano and Shinjuku, plus my own balcony garden. In the foreground above is Iijima-san’s flower wall house. He has 500 hundred potted plants, mostly flowers, rising from the street to the roof. I interviewed Iijima-san for the Plant Journal article I wrote recently.
His first sentence in greeting us was, “There’s nothing blooming now.”
It’s funny how using a film camera makes the image itself look older. The texture and colors in this image seem so different than the bright and flat images I am now accustomed to seeing with digital images. In the next days, I’ll put up more images from this first roll.
My tiny point and shoot Canon S90 has provided almost all the photos on Tokyo Green Space. Inspired by seeing the revival of film cameras, and assisted by B/B who gave me advice and a tour of Nakano’s famous Fujiya used camera shop, I’ve just started taking film photographs with a super cheap Canon EOS Kiss 5 camera body and a good 50 mm lens.
I’m excited about improving my photography skills, and seeing what film can do. It’s also fun to go to film labs. I took my first roll to Horiuchi’s main office in nearby Wada. The last time I used a professional lab I was a graduate student in Rio de Janeiro, Brazil, in the 1990s. What I like about the Wada location is that, although very close to where I live, I always get lost going there by bike.
Interesting video by Nicholas de Monchaux, Architecture Professor at the University of California at Berkeley. He uses digital information to identify city-owned “remnant parcels,” and describes their potential to create a network of health and social welfare, an immune system for urban life in the the 21st century. In San Francisco, he identifies 1,500 parcels, the size of Golden Gate park, and visualizes how these spaces could be used as networked green spaces.