Today I am potting up plants and getting my flowerpots ready for the Shiho student ceramic show. Above are the last two larger flower pots. When I go to the studio today, I’ll see how they look after being glazed and baked.
The one with the holes can be used with a candle, or you can place a plant inside that you’ve bought at the nursery in its original plastic pot. I like that it’s lighter weight, transparent, and easy to swap plants in and out.
I am also showing small pots and smaller bonsai pots. I have an idea for untraditional bonsai plantings, including air plants that can be removed so you can see the whole ceramic pot. For the larger pots, I’ll try to mix seasonal flowers, purple leafed cabbage, and some of the plants Matthew left in the back garden.
The show starts this Saturday and runs for five days. I’ll be at the gallery on Saturday from 3ish to 7, on Sunday from 5 to 7, and sometime next week depending on my work schedule.
Next weekend, November 19-23, is the Shiho ceramic studio‘s annual student exhibit. This will be my 3rd time participating. Please come by in Nishi Ogikubo if you can. There’s a very wide variety of ceramic types and styles, from kitchen goods to accessories and decorative pieces with many affordable items. I’ll be showing some recent flower pots and vases, along with the cafe ole bowl I made as part of this year’s theme.
The address is below. It’s a 4 minute walk from the South exit of the JR Nishiogikubo station on the Sobu and Chuo lines. Gallery Hiko is open from 11 to 18 everyday, except the last day when it closes at 17.
167-0054 Tokyo Suginami-ku Shouan ３−３７−２１
I am very excited to travel to the Portland Japanese Garden next week as part of their Urban Green program. My good friend Kobyashi Kenji, of Tokyo’s Sinajina, will be leading a bonsai-making workshop on May 24, and opening his bonsai exhibit on the 26th. As part of the opening, I will give a talk on Greening Tokyo after Tohoku.
It’s a great honor to participate in the excellent cultural programming at the Portland Japanese Garden, and to explore connections between two global cities whose residents are reinventing urban life for the 21st century. If you know anyone in Portland, please let them know about these events! Thank you.
Come see my small flowerpots at Shiho ceramic studio’s student exhibition. They are wearing makeup!
This is my third Shiho ceramic studio student art exhibit. This year I created four small flowerpots with saucers, and my friend Matthew Puntigam helped me with planting them. We used mostly succulents, an ornamental cabbage, and pansies to complement the design and signal the season. Matthew did an excellent job with plant composition, placement, and ornamental sand and rocks. He told me that Sinajina‘s Kobyashi sensei refers to the decorative sand and rocks as plant “makeup” (化粧).
The student exhibit is from today through Wednesday (Nov 20 to Nov 24) in Nishi Ogikubo. Please see the last image for a map. It’s three minutes walk south from the train station. If you’re planning on attending, please email or call me since I can’t be there during all the opening hours.
Encouraged by my host Suzuki Makoto sensei at Tokyo University of Agriculture, I recently visited the Edo Gardening Flowers exhibit being held at the Ukiyo-e Ota Memorial Museum of Art until November 26,2009. The exhibit has spectacular colorful wood block prints showing flowers and plants in a variety of urban settings including kimonos, at festivals, commercials nurseries, educational materials, Kabuki actors, and Noh dramas.
The exhibit theme is that the Edo period experienced a “gardening culture” in which a passion for gardens and flowers permeated all social classes, including court nobles, shoguns, feudal lords and the common people. According to the catalogue, “the Japanese people’s passion to flowers surprised the American botanist Robert Fortune as seen in his diary upon his visit to Japan in the late Edo period.”
An interesting comparison is also made between between the widespread practice of Edo gardening and also the interest of common people in wood block prints. It is wonderful to see the use of flowers and plants in both high culture realms and in depictions of everyday life during the Edo period.
Two of my favorite prints are collections of plants used by children to learn the names of flowers. The one below, from the back cover of the exhibit catalog, has the names in hiragana. The exhibit also includes Edo era ceramic plant pots.
Some more images after the jump, and also a list of plants seen in the wood block prints.