I’ve posted photos and written about this flower wall garden for The Plant, a visually stunning semi-annual magazine about urban nature. Even in winter, the garden is so colorful. Really, it is one of Nakano’s most incredible personal gardens, with hundreds of flowers covering the three story facade.
Somebody clearly loves flowers.
Tokyo is an endless adventure. Walking through the backstreets of Nakano, I was amazed by this flowerpot garden that covers the entire facade of the house, and even camouflages the car parked in front. There must be hundreds or thousands of potted plants, mostly secured by wire.
You can see on the car that the gardener is showing off some winter flowers, like chrysanthemums, pansies, and cyclamens. The car seems very tidy and protected with styrofoam sheets so I am guessing that they really do use their car. I like how they are making car-driving less convenient in order to increase the amount of plants and make their home more beautiful.
Chris at Tokyo DIY Gardening has assembled four other Tokyo examples where plants seem to have greater importance for residents than the ease of using their car. You can see examples of a similar house on Tokyo DIY Gardening, a perhaps abandoned motorcycle and car also on Tokyo DIY Gardening, Linus Yng’s Tokyo Parallellt, Twitter’s @Remmid’s YFrog stream.
I love the amazing spirit behind this Nakano house where more is really more. Covering your house and parking pad with plants gives you a different relationship with your neighbors. I think it’s interesting to contrast this exuberant urban forest with more cutting edge Tokyo architecture that not only ignores landscaping but creates a hostile interface with neighbors. Two examples come from my fall bike architecture tour with Linus Yng.
First is the fantastic Endo Masaki “Natural Wedge House.” The triangular shape meets sunshine regulations and provides an interesting and translucent shape. The structure is entirely visible, and the house seems to float on top of the base. However, from the street you can’t see the front door, and there is absolutely no plants as part of the design or actual residence. Instead, this house interfaces with the city through its car.
Another example is perhaps unexpected. Ban Shigeru’s Hanegi no mori building is celebrated for preserving the wonderful old forest canopy that surrounds the 10 or so units. Yet, again, this Tokyo architecture seems to draw inspiration from car-dependent cities, with the residences atop a parking lot. From the street, the visitor sees cars first, then the building, then the tree canopy.
I wonder if residential architects even in Tokyo imagine that their clients do most of their trips by car. Is this a class bias or a mistaken assumption. Do those with money neither walk nor take transit? Or is it a matter of wanting to show off the houses’ novel designs unobstructed by plants? Devoting so much scarce resources to car parking and access cuts off the home from the neighborhood and promotes a type of urban life that seems wasteful and unattractive.
A friend told me to check out this green “bus stop” between Kabukicho and Hanazono Shrine. This incredible vine providing shade for the sidewalk is no longer a bus stop, but is in front of Shinjuku’s ward office. As I’ve written before, the wards seem to be leading Tokyo Metropolitan Government and the national government in creating innovative green spaces on their properties.
What’s great about this sidewalk awning is that it requires minimal space and maintenance, yet impacts thousands of people coming to the ward office, or just passing by on this busy street. Two very kind city workers involved with green space took time out to talk with me about the sidewalk, facade, and roof greening.
The sidewalk awning is a combination of two hardy vines: nozenzakura (ノウゼンカズラ in Japanese or Campsis grandiflora in Latin) with orange flowers, which I have seen in my neighborhood blooming all summer.
The other vine is akebi (アケビ, also called Akebia in English), which flowers and fruits. Wikipedia says that it is frequently mentioned in Japanese literature and evokes images of pastoral landscapes; it’s also considered an invasive in New Zealand and parts of the United States. Here in the heart of Shinjuku, it’s a very attractive shade plant with the added bonus of having distinct seasons.
It was nice to see that parts of the facade have vertical plantings, although a simple full facade retrofit would modernize and make more attractive the 1960s building.
The city workers also showed off the roof garden, which has different areas including edibles, herbs, and water plants. It was sad that most of the usage seems to be a place for smokers to congregate. I wonder how they can make the space more attractive for non-smoking workers and neighbors.
It would be cool to see a complete redesign of the entire usable surface of the ward office to eliminate the dead space. Too much of the facade is monotonous concrete with minimal pattern, and too much of the plaza in front and along the side is hard surfaces. A redesign could capture the imagination of residents, retailers, and office owners.
These two restaurants, Shizen in Sendagaya and Green House near Omotesando, make interesting use of narrow, vertical, and roof landscapes to express their connection with nature. I like how Shizen, above, uses the narrow space between buildings to grow tall bamboo that rises taller than the building. They have a roof garden, and have painted the walls green.
Below, Green House has a simple yet attractive green wall. It reminds me of a small-scale version of Pasona’s facade. It’s a clever solution to the problem of having no horizontal space for planting.
A friend guided me to an amazing green wall outside Feria, a nightclub in Roppongi, in a small alley across from Midtown. Climbing the entire front facade, this four story vertical garden is densely planted and lush. I was told that it’s about three years old.
Here’s an image of the context.
And lastly the view from the street.
Feria’s website shows how cool the vertical garden looks illuminated at night. I am intrigued that the vertical garden is the core element of the nightclub’s visual identity, in person and online.