These photos are from the Shiho ceramic show last month. I exhibited bonsai pots, regular pots, and wall vases. I like white glaze on black and red clay because it seems earthy and neutral. Next year I want to make more bonsai pots, and use them with air plants.
For a brief moment, I managed to clear a long path on my narrow balcony garden. There is only the slightest order within the chaos. I like the contrast made by the wood boardwalk, the red leaves and dahlia, and the white glaze on the pots I made at Shiho ceramic studio. Sometimes I get lost within this small garden.
Today I am potting up plants and getting my flowerpots ready for the Shiho student ceramic show. Above are the last two larger flower pots. When I go to the studio today, I’ll see how they look after being glazed and baked.
The one with the holes can be used with a candle, or you can place a plant inside that you’ve bought at the nursery in its original plastic pot. I like that it’s lighter weight, transparent, and easy to swap plants in and out.
I am also showing small pots and smaller bonsai pots. I have an idea for untraditional bonsai plantings, including air plants that can be removed so you can see the whole ceramic pot. For the larger pots, I’ll try to mix seasonal flowers, purple leafed cabbage, and some of the plants Matthew left in the back garden.
The show starts this Saturday and runs for five days. I’ll be at the gallery on Saturday from 3ish to 7, on Sunday from 5 to 7, and sometime next week depending on my work schedule.
I blogged before about these three color flower pots I have been making at Shiho ceramic studio. Now they are finished baking with a glossy transparent glaze showing off the three types of clay. Although the result is not exactly what I had intended, I like how they came out.
I wonder what to plant them with in November for the student show. I am going to the studio twice a week now so that I’ll have enough to show then. Below is another view, using a “nostalgic” filter.
I am making a new flower pot series at Shiho ceramic studio. I was inspired by the texture and glazing of another student’s bowls, and wanted to create something simple.
The vertical lines on the right-side pot connect with the drainage channels on the bottom and also provide contrast and something to grip. The left-side pot was an experiment in removing material without compromising structural integrity. A fellow student suggested this would make a good candle holder.
After they’re baked the first time, I’ll apply the glaze. Usually I leave some parts unglazed so that you can see and feel the ceramic directly.
It’s a credit to the Shiho teachers that my amateur efforts turn out look more intentional and better designed than I am capable of. I like that they encourage me to do what I want, and yet somehow always ensure that my work turns out OK. That’s evidence of great teaching!
In the aftermath of the tsunami and nuclear crisis, it seems many have retreated into their homes and offices. Now more than ever is the time to go outside, interact with neighbors, and support your local small businesses in Tokyo: restaurants, vegetable shops, artisans, and creative studios.
I started making a series of bonsai pots at the ceramic studio Shiho. Here’s the basic process:
Step 1: Create shapes. Form clay into a block, slice off slabs, place slabs around molds covered in cheese cloth, remove, and let sit to harden.
Step 2 (between 2 days and 2 weeks after creating shapes): Trim the tops and sides. Add holes and channels for drainage. Carve name in bottom.
Step 3: First firing.
Step 4: Add glaze. I will leave each pot partly unglazed to show off the clay.
Step 5: Second firing.
The whole process may take 6 to 8 weeks, depending on the studio’s firing schedule and my free time.
In May I spent a lot of time on my balcony garden: planting seeds, putting in starter vegetables (corn, watermelon, eggplant, cucumbers, and kiwi), planting herbs (basil, thyme, in addition to last year’s parsley), and adding new flowers and new types of fabric pots and coconut husk soil.
One aspect of my tiny garden I am enjoying are the flowerpots I made at Shiho ceramic studio last year. My theme for the ceramics was geometric shapes in terms of the pots and the glazing. I chose neutral colors so that the flowerpots would not distract from the plants.
Because the apartment is so small, the garden becomes part of everyday life. I see it from the kitchen table, where I often write on my laptop, and from the living room. With sliding walls, the garden is visible from the bedroom, too. Going outside is always just a few steps away.
Although I am a very amateur ceramicist, it is fun to have something you made yourself playing a big role in a small garden. There is something about the clay that provides an earthy feeling when you are in a high-rise with limited soil. I also like the contrast between the flowerpots and the cityscape beyond.