glaze

Ceramic flowerpots at Shiho student show

この写真は史火陶芸教室の展示会です。盆栽植木鉢と普通の植木鉢と壁用の花瓶を発表しました。黒粘土と赤粘土の上にかけた白い釉薬が好きです。自然で中間色だからです。来年、もっとエアプラントを入れた小さな植木鉢を作りたいです。

These photos are from the Shiho ceramic show last month. I exhibited bonsai pots, regular pots, and wall vases. I like white glaze on black and red clay because it seems earthy and neutral. Next year I want to make more bonsai pots, and use them with air plants.

Sometimes I get lost within the small balcony garden

ベランダの庭で、狭い道が混乱のなかの秩序を作ります。木の床や赤い葉やダリアや白い釉薬が対照しています。時々この小さな庭のなかで迷います。

For a brief moment, I managed to clear a long path on my narrow balcony garden. There is only the slightest order within the chaos. I like the contrast made by the wood boardwalk, the red leaves and dahlia, and the white glaze on the pots I made at Shiho ceramic studio. Sometimes I get lost within this small garden.

Potting plants for Shiho student ceramic show

今日は史火陶芸教室の展示会の準備をします。どんな植物がいろいろな植木鉢と似合うだろう。着生植物や季節の花と紫キャベツを使おうと思っています。土曜日から展覧会が始まります。写真は、最後の植木鉢の釉がけ前のです。

Today I am potting up plants and getting my flowerpots ready for the Shiho student ceramic show. Above are the last two larger flower pots. When I go to the studio today, I’ll see how they look after being glazed and baked.

The one with the holes can be used with a candle, or you can place a plant inside that you’ve bought at the nursery in its original plastic pot. I like that it’s lighter weight, transparent, and easy to swap plants in and out.

I am also showing small pots and smaller bonsai pots. I have an idea for untraditional bonsai plantings, including air plants that can be removed so you can see the whole ceramic pot. For the larger pots, I’ll try to mix seasonal flowers, purple leafed cabbage, and some of the plants Matthew left in the back garden.

The show starts this Saturday and runs for five days. I’ll be at the gallery on Saturday from  3ish to 7, on Sunday from 5 to 7, and sometime next week depending on my work schedule.

First flower pots finished using 3 colors of clay

史火陶芸教室でこの三種類の粘土を使った植木鉢が出来ました。ちょっと驚きましたが、なかなかいいと思います。何の植物をいれましょうか?11月に生徒展示会があるので、作品を作りに、よく教室に行きます。

I blogged before about these three color flower pots I have been making at Shiho ceramic studio. Now they are finished baking with a glossy transparent glaze showing off the three types of clay. Although the result is not exactly what I had intended, I like how they came out.

I wonder what to plant them with in November for the student show. I am going to the studio twice a week now so that I’ll have enough to show then. Below is another view, using a “nostalgic” filter.

Making more flowerpots at Shiho

史火陶芸教室で新しい植木鉢のシリーズを作り始めました。他の生徒さんが作った碗の質感と釉薬に感激して、自分で簡単なものを作りたかった。

右の植木鉢の縦線は底にある排水の溝とつなげます。対象の線は、グリップにもなります。左の植木鉢は構造的な機能だけを考えて、シンプルに作りました。生徒さんの一人が、この形はキャンドルスタンドに良いと言いました。

一回、焼いたあとで、釉薬をかけます。釉薬をかけないところもあって、そこは生地が見えて、感触を楽しめます。

素人なのに、先生のおかげで、作品がもっとすてきになりました。先生はいつも生徒のアイデアを後押しして、手伝ってくれて、良い作品ができあがります。とても良い先生です。

I am making a new flower pot series at Shiho ceramic studio. I was inspired by the texture and glazing of another student’s bowls, and wanted to create something simple.

The vertical lines on the right-side pot connect with the drainage channels on the bottom and also provide contrast and something to grip. The left-side pot was an experiment in removing material without compromising structural integrity. A fellow student suggested this would make a good candle holder.

After they’re baked the first time, I’ll apply the glaze. Usually I leave some parts unglazed so that you can see and feel the ceramic directly.

It’s a credit to the Shiho teachers that my amateur efforts turn out look more intentional and better designed than I am capable of. I like that they encourage me to do what I want, and yet somehow always ensure that my work turns out OK. That’s evidence of great teaching!

Making bonsai pots at Shiho

史火の教室で盆栽用の植木鉢を作っています。

In the aftermath of the tsunami and nuclear crisis, it seems many have retreated into their homes and offices. Now more than ever is the time to go outside, interact with neighbors, and support your local small businesses in Tokyo: restaurants, vegetable shops, artisans, and creative studios.

I started making a series of bonsai pots at the ceramic studio Shiho. Here’s the basic process:

Step 1: Create shapes. Form clay into a block, slice off slabs, place slabs around molds covered in cheese cloth, remove, and let sit to harden.

Step 2 (between 2 days and 2 weeks after creating shapes): Trim the tops and sides. Add holes and channels for drainage. Carve name in bottom.

Step 3: First firing.

Step 4: Add glaze. I will leave each pot partly unglazed to show off the clay.

Step 5: Second firing.

The whole process may take 6 to 8 weeks, depending on the studio’s firing schedule and my free time.

Ceramic flowerpots in balcony garden

In May I spent a lot of time on my balcony garden: planting seeds, putting in starter vegetables (corn, watermelon, eggplant, cucumbers, and kiwi), planting herbs (basil, thyme, in addition to last year’s parsley), and adding new flowers and new types of fabric pots and coconut husk soil.

One aspect of my tiny garden I am enjoying are the flowerpots I made at Shiho ceramic studio last year. My theme for the ceramics was geometric shapes in terms of the pots and the glazing. I chose neutral colors so that the flowerpots would not distract from the plants.

Because the apartment is so small, the garden becomes part of everyday life. I see it from the kitchen table, where I often write on my laptop, and from the living room. With sliding walls, the garden is visible from the bedroom, too. Going outside is always just a few steps away.

Although I am a very amateur ceramicist, it is fun to have something you made yourself playing a big role in a small garden. There is something about the clay that provides an earthy feeling when you are in a high-rise with limited soil. I also like the contrast between the flowerpots and the cityscape beyond.