There’s something very unknown and exciting in seeing working vessels in a modern harbor. Returning to Tokyo, in the foreground is the Ogasawara Maru’s light fixture. In the center of the frame a tugboat pulls a barge with a giant crane. The vista is wide open, and the sea moving at its own pace.
When leaving Ogasawara, there is an elaborate send-off. Men, women and children in Shinto happi jackets pound drums and ask for a safe voyage. A flotilla, including kayaks, fishing and diving boats, follows the ship through the harbor. And as the boat nears the edge of the open sea, in a scene that all the regulars seem familiar with, people in the small boats dive and jump into the sea in showy unison.
Truly, this is the most jolly transit send-off I could imagine.
Hamarikyu is an elaborate garden between the office towers of Shiodome and the harbor full of warehouses, garbage incinerators, and the massive immigration office with no cellphone coverage. Inside the garden, you can learn how the Emperor created a special landscape to facilitate duck hunting that used decoy ducks, falcons, and nets. But on the edges of the garden, you can see the messy metropolis with its relentless accumulation of transportation, commerce, and recently new luxury residential development. I like how on the city side, the stone-lined canal has been preserved, and on the harbor side, an older looking flood gate still regulates the garden’s pond.