At Tokyo’s Design Touch, I came across Britta Riley’s WindowFarm. It’s a vertical hydroponic system for growing vegetables in apartment windows. I like the idea that city people can grow their own food, that vertical urban space can be better used, and the premise of R&D-I-Y (do it yourself R&D), where customers use web “crowdsourcing” to contribute new ideas about the product.
WindowFarm has appeared at New York’s Museum of Modern Art, the Venice Biennial, and even Martha Stewart’s TV show. The installation I saw really showed off how space-efficient the system is. The parts I am less keen on include the hydroponic system and the pump. The idea of using chemicals and electricity, to me, seems contrary to simplicity and nature. However, I know that many people are strong believers in hydroponic farming.
What do you think? Would you install this system in your home? Could it be done with soil instead of hydroponics? What do you think of creating an online community to support micro-urban farming?
WindowFarm also reminds me of one of the first images from Tokyo Green Space: the “pet bottle” (Japan’s name for disposable beverage containers) supporting a plant in Metro station men’s room. That installation was entirely no-tech, and yet both rely on this ubiquitous and wasteful bottle that we can’t seem to live without.
My friend Endo Masahiro’s Sodateck has developed a combination LED and fluorescent grow light system for Japan. By combining the two light sources, Sodateck offers an optimal spectrum for plants. I like how his product catalog, in print and web, shows indoor gardening in a very contemporary setting: edibles and decorative plants in a chic wood and stone house with bicycles and other signifiers of modern style and living.
Based in Tokushima, Shikoku, he recently exhibited his indoor gardening system at the Gardex (International Garden Expo Tokyo). It was great to see the full range of what he is creating.
The systems are very elegant: brushed steel with two buttons, one for each light source type. Endo-san also brought some of his indoor plant creations, including modern bonsais like this moss on black stone tray. It seems clear that Endo-san is influenced by his friendship with modern bonsai master Kobayashi Kenji (小林健二) of Sinajina (品品).
Click the link below to see some more photos of his products, including hydroponic systems with his business partner Yakumo Trading.
Recently I visited Suntory Midorie‘s showroom in Aoyama. The entrance vertical green wall with their company name was most impressive in terms of plant diversity and aesthetics. There are also about ten other designs showing the variety of looks they can create with wood frames and internal pump and watering system.
Suntory Midorie has created these indoor walls for offices, malls, cafes, airport lounges, and hair salons in Tokyo and Osaka. The systems use artificial planting material (half the weight of soil), hydroponic systems automated with pumps and timers, with water collecting at the base. The water drips from top to bottom once a week, and Suntory Midorie provides monthly maintenance to its corporate clients.
In addition to these framed walls, Suntory Midorie also makes a horizontal roof top system that’s been used by Mitsui on an office tower near the Imperial Palace to mitigate the heat island effect and lower air conditioning costs. Suntory Midorie has done some exterior green walls, for a cafe, a hotel pool area, and a group of Shibuya vending machines.
A miniature system of small indoor frames, with no mechanical system, is sold online for residences and marketed as something young girls might enjoy taking care of. Suntory Midorie was founded in March 2008, and became independent of its beverage manufacturer parent company Suntory in April 2009.