WIth enough sunlight, succulents are very easy to grow. They are slow-growing, and look good year-round. I like how some have petal-like forms, others are red, and still others soft to touch. I’ve paired them with hand-made ceramics with geometic patterns.
Tokyo is super dense. I love how so few of the houses are lined up in this irregular web of small streets.
I am not sure why I find this building so fascinating. It’s built on a triangular lot, and has no visible greenery. The middle of the facade is a staircase and hallways, covered in a wall used partly for signage. The five floors of open air, window cut-outs create an ornamental pattern.
Omotesando is known for its parade of imported brands: Dior, Chanel, Ralph Lauren, etc. It also has an amazing canopy of zelkova trees (called keyaki or 欅 in Japanese). This photo taken on a rainy day earlier this week shows the trees covered in moss. Looking up from the busy sidewalk, you see many shades of green, bold patterns, and soaring structure that are oblivious to fashion and commerce.
The exquisite miniaturization at Sinajina (品品) makes their modern bonsais a poetic reflection on season and landscape. Above is an image from last weekend, in which color and pattern capture the start of fall as surely as the first sighting of wool vests in the Tokyo streets.
To update my earlier post, I am also including some additional images of the new moss mosaic shop sign, a view of the modern structure housing the shop, and a shelves of bonsais for sale. Kobayashi Kenji (小林健二) is a plant master with understated charm and extraordinary vision.