I love this hemp rope and lightening-bolt like paper decoration that makes visible the sacredness of the mature trees in the center of Meiji Jingu shrine. Approaching the shrine through a magnificent planned forest, visitors sense that this place has been set apart from a city that is in state of constant change.
I am a huge fan of Tokyo’s summer festivals. Sacred and community-based, these festivals involve shrine carrying, chanting, grunting, drums, flutes, and bells, ritual clothing, and close proximity between neighbors.
On busy Shinjuku Dori, near Shinjuku Gyoen, there is a tiny shrine. I was startled last weekend to see a group of senior citizens playing ring toss in front of the open shrine. It was interesting to hear that there is nothing sacrilegious about using sacred space for recreation.
Apparently children often played in shrines, so with the aging society and few places for outdoor activities, I guess it is no surprise to see seniors enjoying this outdoor games and social time. Here you can see how the shrine is a small open space on a busy street full of tall buildings and a firehouse.
Here’s more photos of the game and the streetscape in Shinjuku Ichome. It’s great to see how shrines preserve open space, provide space for mature trees and for recreation. This shrine has many layers of trees, including a cherry tree.
Traditional Japanese garden Kyu Shiba Rikyu dates to 1678 when land reclaimed from Tokyo Bay became the residence of Okugawa Tadatamo, an official of Tokugawa Shogunate. Kyu Shiba Rikyu is one of Tokyo’s oldest gardens, along with Koishikawa Korakuen. Kyu Shiba Rikyu was destroyed by fire in the 1923 earthquake, rebuilt and gifted by the Emperor as a city park.
Today this stroll garden with a focal pond and two small islands sits steps from Hamamatsuchou station, and surrounded by office buildings, bullet trains, the JR Yamanote line, a monorail, elevated train, and two elevated highways. The pond reflects manicured black pines, office towers and billboards. There is also a very elegant archery range with grass lawn, tatami seating area, and targets inked by hand. (See photos after the jump below).
The pond and island were created over 400 years ago to recall China’s Seiko Lake (Xi Hu) and Reizan sacred mountain in Hangzhou (Zhejiang). Like at Koishikawa Korakuen, Kyu Shiba Rikyu was created at a time when garden design, philosophy, literature, and painting all borrowed heavily from China. Given our last century’s conflicts between Japan and China, is it too much to hope for artistic borrowings in this century?
A wonderful garden diplomacy would be a photographic exploration of these 400 year old Japanese gardens and the Chinese landscapes that inspired them. How have the natural and designed environments changed? What contemporary landscapes could inspire today’s art exchanges?