I took a short break from the Epic 2010 ethnography in industry conference to see the Mori Art Museum’s Sensing Nature exhibit. Friends had told me about it, so I had high expectations. The exhibit is very conceptual and sensory at the same time, unfolding in a series of large installations that are familiar and strangely new views of our relationship with nature. It continues until November 7 at the top of Roppongi Hills.
It is a strange experience to go from the 62nd floor observatory, with 360 degree views of Tokyo and beyond, into these enormous and enclosed gallery spaces created by three mid-career Japanese artists: Yoshioka Tokujin, Shinoda Taro, and Kuribayashi Takashi. There are feathers, wind, water, forests, mud, mountains, and glass.
I was also struck that in almost all these the imaginative “new worlds,” it is impossible to experience the artists’ dreams without also being hyper-aware of our own presence within them. It is interesting to watch the reactions of other visitors, and to even catch unexpected images of ourselves. I highly recommend visiting the exhibit.