tray

Sodateck brings indoor growing to Japan

My friend Endo Masahiro’s Sodateck has developed a combination LED and fluorescent grow light system for Japan. By combining the two light sources, Sodateck offers an optimal spectrum for plants. I like how his product catalog, in print and web, shows indoor gardening in a very contemporary setting: edibles and decorative plants in a chic wood and stone house with bicycles and other signifiers of modern style and living.

Based in Tokushima, Shikoku, he recently exhibited his indoor gardening system at the Gardex (International Garden Expo Tokyo). It was great to see the full range of what he is creating.

The systems are very elegant: brushed steel with two buttons, one for each light source type. Endo-san also brought some of his indoor plant creations, including modern bonsais like this moss on black stone tray. It seems clear that Endo-san is influenced by his friendship with modern bonsai master Kobayashi Kenji (小林健二) of Sinajina (品品).

Click the link below to see some more photos of his products, including hydroponic systems with his business partner Yakumo Trading.

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Meeting Tase Michio 田瀬理夫

Tase Michio, Umeki, and me in front of Tase's Tokyo studio

This week I had the amazing opportunity to meet one of my landscape design heroes, Tase Michio (田瀬理夫) of Plamtago. He has created urban architecture and a green business that bring native plants and habitats to urban areas. His most famous work is the 1995 Acros Fukuoka building, a 15 story lush hillside on top of a downtown office building. More recently, he provided the creative direction for 5bai Midori, a Tokyo company that brings “satoyama” (里山) or a slice of rural Japan into urban areas through a modular 5-sided system.

With a shock of grey hair, Tase sensei is patient with visitors, provocative and without pretense. Born 60 years ago in Ichigaya, Tokyo, not far from his current Plamtago home office, Tase says he has been monitoring the natural environment of Tokyo since his childhood. His view is that urban land use is worse today than in the 1970s. And despite the success of Acros Fukuoka, which looks fuller and more wild after 14 years of growth, Tase is disappointed that there have been no other high rises incorporating bio-diversity into their architecture.

Tase Michio's Acros Fukuoka

Tase describes his work as “Passive Architecture & Active Landscape with Nature.” For cities, he aims to increase the number of plant species, slow rainfall and filter it before it reaches rivers and bays, create healthy wildlife habitats, and improve the soil. I was struck that he sees as urban eco-system indicators tiny ticks, which reflect good soil and perhaps small animals, and also hawks. Ticks and at least one hawk reside in the forest of Tokyo’s Imperial Palace.

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